On the History and Hermeneutics of Comics

What is a comic? The simple answer states that a comic is a drawn story that is picture- rather than text-oriented and told serially. In other words, a comic is a type of illustration. Realism is not its goal; rather a narrative is developed through reduction according to specific stylistic means. I...

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Main Author: Wessely, Christian
Format: Article
Language:English
Published: Karl Franzens Universität Graz 2017-05-01
Series:Journal for Religion, Film and Media
Subjects:
Online Access:http://unipub.uni-graz.at/jrfm/periodical/titleinfo/1927222
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author Wessely, Christian
author_facet Wessely, Christian
author_sort Wessely, Christian
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description What is a comic? The simple answer states that a comic is a drawn story that is picture- rather than text-oriented and told serially. In other words, a comic is a type of illustration. Realism is not its goal; rather a narrative is developed through reduction according to specific stylistic means. I start this article with a definition of the term “comic”, and move on to highlight the complexity of the comic and to argue that insight into this complexity is necessary for its correct interpretation. Only then can we recognise that the comic is not only entertaining but also, in its own way, a vehicle for content that might be system confirming and propagandistic but can also be system critical. Doing so allows us to see the potential of the comic that is embedded in its particular affinity with nonlinear interactive audiovisual media.
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spelling doaj.art-0f8b257ec4454ef5b32678d8df3bb0222022-12-21T19:08:09ZengKarl Franzens Universität GrazJournal for Religion, Film and Media2414-02012414-02012017-05-0131174410.25364/05.3:2017.1.2On the History and Hermeneutics of ComicsWessely, ChristianWhat is a comic? The simple answer states that a comic is a drawn story that is picture- rather than text-oriented and told serially. In other words, a comic is a type of illustration. Realism is not its goal; rather a narrative is developed through reduction according to specific stylistic means. I start this article with a definition of the term “comic”, and move on to highlight the complexity of the comic and to argue that insight into this complexity is necessary for its correct interpretation. Only then can we recognise that the comic is not only entertaining but also, in its own way, a vehicle for content that might be system confirming and propagandistic but can also be system critical. Doing so allows us to see the potential of the comic that is embedded in its particular affinity with nonlinear interactive audiovisual media.http://unipub.uni-graz.at/jrfm/periodical/titleinfo/1927222History of comicshermeneutic of comicsillustrative languagedissident potentialpropagandistic potential
spellingShingle Wessely, Christian
On the History and Hermeneutics of Comics
Journal for Religion, Film and Media
History of comics
hermeneutic of comics
illustrative language
dissident potential
propagandistic potential
title On the History and Hermeneutics of Comics
title_full On the History and Hermeneutics of Comics
title_fullStr On the History and Hermeneutics of Comics
title_full_unstemmed On the History and Hermeneutics of Comics
title_short On the History and Hermeneutics of Comics
title_sort on the history and hermeneutics of comics
topic History of comics
hermeneutic of comics
illustrative language
dissident potential
propagandistic potential
url http://unipub.uni-graz.at/jrfm/periodical/titleinfo/1927222
work_keys_str_mv AT wesselychristian onthehistoryandhermeneuticsofcomics