Da Parigi a Torino
The aim of this paper is to investigate the events connected with the establishment of the Reale Galleria di Torino as a public museum in 1832 in relation to the training path of its first director, Roberto d'Azeglio, who was in voluntary exile in Paris, where he came into contact with artis...
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| Format: | Article |
| Language: | English |
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Fondazione Università Ca’ Foscari
2022-10-01
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| Series: | MDCCC 1800 |
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| Online Access: | http://doi.org/10.30687/MDCCC/2280-8841/2022/11/011 |
| _version_ | 1797646024368455680 |
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| author | Failla, Maria Beatrice |
| author_facet | Failla, Maria Beatrice |
| author_sort | Failla, Maria Beatrice |
| collection | DOAJ |
| description |
The aim of this paper is to investigate the events connected with the establishment of the Reale Galleria di Torino as a public museum in 1832 in relation to the training path of its first director, Roberto d'Azeglio, who was in voluntary exile in Paris, where he came into contact with artists from the entourage of David's pupils in the 1920s. The function of the museum for d'Azeglio is the same as that identified by Quatrémere de Quincy: an institution of high civic value strongly linked to the present. Contemporary art and ancient art can thus establish a close dialogue to consolidate the ethical and civic involvement of visitors.
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| first_indexed | 2024-03-11T14:55:25Z |
| format | Article |
| id | doaj.art-0fc952e0e81c4a29b78111438c3b4c7f |
| institution | Directory Open Access Journal |
| issn | 2280-8841 |
| language | English |
| last_indexed | 2024-03-11T14:55:25Z |
| publishDate | 2022-10-01 |
| publisher | Fondazione Università Ca’ Foscari |
| record_format | Article |
| series | MDCCC 1800 |
| spelling | doaj.art-0fc952e0e81c4a29b78111438c3b4c7f2023-10-30T08:22:24ZengFondazione Università Ca’ FoscariMDCCC 18002280-88412022-10-0111110.30687/MDCCC/2280-8841/2022/11/011journal_article_8316Da Parigi a TorinoFailla, Maria Beatrice0Università degli Studi di Torino, Italia The aim of this paper is to investigate the events connected with the establishment of the Reale Galleria di Torino as a public museum in 1832 in relation to the training path of its first director, Roberto d'Azeglio, who was in voluntary exile in Paris, where he came into contact with artists from the entourage of David's pupils in the 1920s. The function of the museum for d'Azeglio is the same as that identified by Quatrémere de Quincy: an institution of high civic value strongly linked to the present. Contemporary art and ancient art can thus establish a close dialogue to consolidate the ethical and civic involvement of visitors. http://doi.org/10.30687/MDCCC/2280-8841/2022/11/011Civil function of the museum. Parisian Salons. Royal Gallery of Turin. Training of artists |
| spellingShingle | Failla, Maria Beatrice Da Parigi a Torino MDCCC 1800 Civil function of the museum. Parisian Salons. Royal Gallery of Turin. Training of artists |
| title | Da Parigi a Torino |
| title_full | Da Parigi a Torino |
| title_fullStr | Da Parigi a Torino |
| title_full_unstemmed | Da Parigi a Torino |
| title_short | Da Parigi a Torino |
| title_sort | da parigi a torino |
| topic | Civil function of the museum. Parisian Salons. Royal Gallery of Turin. Training of artists |
| url | http://doi.org/10.30687/MDCCC/2280-8841/2022/11/011 |
| work_keys_str_mv | AT faillamariabeatrice daparigiatorino |