A Bigger Splash to the Narrative

The objective of this article is to offer an example of a work of art identified with what Paul Ricœur named polysemy or linguistic density. Some works of art exemplify a metaphoricity in their constitution and the metaphor would be a privileged model for the analysis of figurative art and of allusi...

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Main Author: Vinicius Oliveira Sanfelice
Format: Article
Language:English
Published: University Library System, University of Pittsburgh 2018-09-01
Series:Études Ricoeuriennes / Ricoeur Studies
Subjects:
Online Access:http://ricoeur.pitt.edu/ojs/index.php/ricoeur/article/view/360
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author Vinicius Oliveira Sanfelice
author_facet Vinicius Oliveira Sanfelice
author_sort Vinicius Oliveira Sanfelice
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description The objective of this article is to offer an example of a work of art identified with what Paul Ricœur named polysemy or linguistic density. Some works of art exemplify a metaphoricity in their constitution and the metaphor would be a privileged model for the analysis of figurative art and of allusive figuration. I believe that the painting A Bigger Splash by David Hockney has an image game that is also a language game: the aesthetic figuration as semantic link between the verbal and the non-verbal, between the poetic and the pictorial. I argue that figuration through metaphoricity also exemplifies an ambiguity in Ricœur’s philosophy of language, and the distinction between the field of the pre-narrative and the narrative of the artwork clarify the aesthetic aspect of his theory of metaphor. The advantage of my example is that the immanent analysis of the metaphoric constitution of the work of art is compatible with the isolation of its narrative elements. The metaphoric redescription in painting should not be automatically extended to the narrative refiguration.
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spelling doaj.art-100d5e1a4e56461299e6e5bdb49a52bc2022-12-22T01:13:57ZengUniversity Library System, University of PittsburghÉtudes Ricoeuriennes / Ricoeur Studies2156-78082018-09-01919010710.5195/errs.2018.360195A Bigger Splash to the NarrativeVinicius Oliveira Sanfelice0Universidade Estadual de Campinas (Unicamp/Fapesp)The objective of this article is to offer an example of a work of art identified with what Paul Ricœur named polysemy or linguistic density. Some works of art exemplify a metaphoricity in their constitution and the metaphor would be a privileged model for the analysis of figurative art and of allusive figuration. I believe that the painting A Bigger Splash by David Hockney has an image game that is also a language game: the aesthetic figuration as semantic link between the verbal and the non-verbal, between the poetic and the pictorial. I argue that figuration through metaphoricity also exemplifies an ambiguity in Ricœur’s philosophy of language, and the distinction between the field of the pre-narrative and the narrative of the artwork clarify the aesthetic aspect of his theory of metaphor. The advantage of my example is that the immanent analysis of the metaphoric constitution of the work of art is compatible with the isolation of its narrative elements. The metaphoric redescription in painting should not be automatically extended to the narrative refiguration.http://ricoeur.pitt.edu/ojs/index.php/ricoeur/article/view/360art, metaphor, ricœur, aesthetic, image.
spellingShingle Vinicius Oliveira Sanfelice
A Bigger Splash to the Narrative
Études Ricoeuriennes / Ricoeur Studies
art, metaphor, ricœur, aesthetic, image.
title A Bigger Splash to the Narrative
title_full A Bigger Splash to the Narrative
title_fullStr A Bigger Splash to the Narrative
title_full_unstemmed A Bigger Splash to the Narrative
title_short A Bigger Splash to the Narrative
title_sort bigger splash to the narrative
topic art, metaphor, ricœur, aesthetic, image.
url http://ricoeur.pitt.edu/ojs/index.php/ricoeur/article/view/360
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