La ciudad como espectaculo: lectura de Pasajes, poemas de Fernando Perez-Villalon

The representation of the modern city introduced by Pasajes simultaneously continues and problematizes the latin-american poetic tradition concerning large urban centers. The present essay focuses on two aspects of this representation: the polarity between “inside” and “outside” regarded as a sign o...

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Main Author: Rodrigo Cordero Cortés
Format: Article
Language:Catalan
Published: Universidad Complutense de Madrid 2009-09-01
Series:Revista de Filología Románica
Subjects:
Online Access:http://revistas.ucm.es/index.php/RFRM/article/view/10316
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author Rodrigo Cordero Cortés
author_facet Rodrigo Cordero Cortés
author_sort Rodrigo Cordero Cortés
collection DOAJ
description The representation of the modern city introduced by Pasajes simultaneously continues and problematizes the latin-american poetic tradition concerning large urban centers. The present essay focuses on two aspects of this representation: the polarity between “inside” and “outside” regarded as a sign of the conflict established between the urban dweller and the city, and the operation of vision and audition regarded as bridges which communicates those places. Therefore, the present essay attempts to describe the meaning of the contemporary city understood as “spectacle”, and to outline some traits of the “passage” or “passages” which give name to the book, in order to distinguish, so to speak, the existential condition of the urban dweller who appears on poems.
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spelling doaj.art-1062252bef324dc186b0732de2937dff2022-12-22T00:22:39ZcatUniversidad Complutense de MadridRevista de Filología Románica0212-999X1988-28152009-09-010018719610307La ciudad como espectaculo: lectura de Pasajes, poemas de Fernando Perez-VillalonRodrigo Cordero CortésThe representation of the modern city introduced by Pasajes simultaneously continues and problematizes the latin-american poetic tradition concerning large urban centers. The present essay focuses on two aspects of this representation: the polarity between “inside” and “outside” regarded as a sign of the conflict established between the urban dweller and the city, and the operation of vision and audition regarded as bridges which communicates those places. Therefore, the present essay attempts to describe the meaning of the contemporary city understood as “spectacle”, and to outline some traits of the “passage” or “passages” which give name to the book, in order to distinguish, so to speak, the existential condition of the urban dweller who appears on poems.http://revistas.ucm.es/index.php/RFRM/article/view/10316Poesía chilenaCiudadPercepción sensorialCotidianeidadModernidad
spellingShingle Rodrigo Cordero Cortés
La ciudad como espectaculo: lectura de Pasajes, poemas de Fernando Perez-Villalon
Revista de Filología Románica
Poesía chilena
Ciudad
Percepción sensorial
Cotidianeidad
Modernidad
title La ciudad como espectaculo: lectura de Pasajes, poemas de Fernando Perez-Villalon
title_full La ciudad como espectaculo: lectura de Pasajes, poemas de Fernando Perez-Villalon
title_fullStr La ciudad como espectaculo: lectura de Pasajes, poemas de Fernando Perez-Villalon
title_full_unstemmed La ciudad como espectaculo: lectura de Pasajes, poemas de Fernando Perez-Villalon
title_short La ciudad como espectaculo: lectura de Pasajes, poemas de Fernando Perez-Villalon
title_sort la ciudad como espectaculo lectura de pasajes poemas de fernando perez villalon
topic Poesía chilena
Ciudad
Percepción sensorial
Cotidianeidad
Modernidad
url http://revistas.ucm.es/index.php/RFRM/article/view/10316
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