Produktive Verschuldung

This article explores how the largest sewing machine manufacturer in the world – the US Singer Manufacturing Company – entangled seamstresses in contractually regulated credit relationships in German-speaking Europe during the second half of the nineteenth century. The assumption is that Singer not...

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Main Author: Matthias Ruoss
Format: Article
Language:deu
Published: StudienVerlag 2023-03-01
Series:Österreichische Zeitschrift für Geschichtswissenschaften
Subjects:
Online Access:https://journals.univie.ac.at/index.php/oezg/article/view/7864
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author Matthias Ruoss
author_facet Matthias Ruoss
author_sort Matthias Ruoss
collection DOAJ
description This article explores how the largest sewing machine manufacturer in the world – the US Singer Manufacturing Company – entangled seamstresses in contractually regulated credit relationships in German-speaking Europe during the second half of the nineteenth century. The assumption is that Singer not just sold sewing machines on instalments but at the same time established a regime of productive indebtedness that commodified the labour of seamstresses. The first step will be to trace the construction of this regime which consisted of a sales infrastructure, dynamic payment policies, and gendered advertising campaigns. Secondly, it will be shown how the regime aimed to put pressure on contract subjects to be productive by means of payment obligations, distributive control mechanisms, and training offers.
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spelling doaj.art-1089885772a3466f96ec85f05e6e075c2023-03-19T08:26:08ZdeuStudienVerlagÖsterreichische Zeitschrift für Geschichtswissenschaften1016-765X2707-966X2023-03-0133310.25365/oezg-2022-33-3-5Produktive Verschuldung Matthias Ruoss0Université de Fribourg, Interdisziplinäres Institut für Ethik und Menschenrechte (IIEDH) This article explores how the largest sewing machine manufacturer in the world – the US Singer Manufacturing Company – entangled seamstresses in contractually regulated credit relationships in German-speaking Europe during the second half of the nineteenth century. The assumption is that Singer not just sold sewing machines on instalments but at the same time established a regime of productive indebtedness that commodified the labour of seamstresses. The first step will be to trace the construction of this regime which consisted of a sales infrastructure, dynamic payment policies, and gendered advertising campaigns. Secondly, it will be shown how the regime aimed to put pressure on contract subjects to be productive by means of payment obligations, distributive control mechanisms, and training offers. https://journals.univie.ac.at/index.php/oezg/article/view/7864women’s worksewing machinecommodificationcapitalismEuropegender
spellingShingle Matthias Ruoss
Produktive Verschuldung
Österreichische Zeitschrift für Geschichtswissenschaften
women’s work
sewing machine
commodification
capitalism
Europe
gender
title Produktive Verschuldung
title_full Produktive Verschuldung
title_fullStr Produktive Verschuldung
title_full_unstemmed Produktive Verschuldung
title_short Produktive Verschuldung
title_sort produktive verschuldung
topic women’s work
sewing machine
commodification
capitalism
Europe
gender
url https://journals.univie.ac.at/index.php/oezg/article/view/7864
work_keys_str_mv AT matthiasruoss produktiveverschuldung