Forme dell’‘ethos’ nel genere della confessione criminale
The essay aims to analyse, from a narratological perspective, some transformations in the dialogical structures within the literary genre of the confession between the 18th and 19th century. In particular, the analysis focuses on how the ‘judicial paradigm’ of Rousseau’s Confessions, in which the mo...
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Format: | Article |
Language: | English |
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University of Bologna
2023-01-01
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Series: | Griseldaonline |
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Online Access: | https://griseldaonline.unibo.it/article/view/15437 |
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author | Dino Pavlovic |
author_facet | Dino Pavlovic |
author_sort | Dino Pavlovic |
collection | DOAJ |
description | The essay aims to analyse, from a narratological perspective, some transformations in the dialogical structures within the literary genre of the confession between the 18th and 19th century. In particular, the analysis focuses on how the ‘judicial paradigm’ of Rousseau’s Confessions, in which the model of the popular genre of mémoires judiciaires plays a key role in provoking a recognition from the narratee on the basis of a set of shared ethical values, declines with the development of the eighteenth century psychology, when the inability to take the reason as a ground for an intersubjective experience, in authors like Paul Bourget and Gabriele D’Annunzio, demands a rethinking of the presence and the absence of the reader in the text. |
first_indexed | 2024-04-11T00:04:02Z |
format | Article |
id | doaj.art-10ee42f9b5744218a6e92c8ca88d3dcf |
institution | Directory Open Access Journal |
issn | 1721-4777 |
language | English |
last_indexed | 2024-04-11T00:04:02Z |
publishDate | 2023-01-01 |
publisher | University of Bologna |
record_format | Article |
series | Griseldaonline |
spelling | doaj.art-10ee42f9b5744218a6e92c8ca88d3dcf2023-01-09T13:30:41ZengUniversity of BolognaGriseldaonline1721-47772023-01-01212456610.6092/issn.1721-4777/1543713778Forme dell’‘ethos’ nel genere della confessione criminaleDino Pavlovic0Università degli Studi di UdineThe essay aims to analyse, from a narratological perspective, some transformations in the dialogical structures within the literary genre of the confession between the 18th and 19th century. In particular, the analysis focuses on how the ‘judicial paradigm’ of Rousseau’s Confessions, in which the model of the popular genre of mémoires judiciaires plays a key role in provoking a recognition from the narratee on the basis of a set of shared ethical values, declines with the development of the eighteenth century psychology, when the inability to take the reason as a ground for an intersubjective experience, in authors like Paul Bourget and Gabriele D’Annunzio, demands a rethinking of the presence and the absence of the reader in the text.https://griseldaonline.unibo.it/article/view/15437d’annunzioeticanarratologiaparadigma giudiziariorousseau |
spellingShingle | Dino Pavlovic Forme dell’‘ethos’ nel genere della confessione criminale Griseldaonline d’annunzio etica narratologia paradigma giudiziario rousseau |
title | Forme dell’‘ethos’ nel genere della confessione criminale |
title_full | Forme dell’‘ethos’ nel genere della confessione criminale |
title_fullStr | Forme dell’‘ethos’ nel genere della confessione criminale |
title_full_unstemmed | Forme dell’‘ethos’ nel genere della confessione criminale |
title_short | Forme dell’‘ethos’ nel genere della confessione criminale |
title_sort | forme dell ethos nel genere della confessione criminale |
topic | d’annunzio etica narratologia paradigma giudiziario rousseau |
url | https://griseldaonline.unibo.it/article/view/15437 |
work_keys_str_mv | AT dinopavlovic formedellethosnelgeneredellaconfessionecriminale |