Forme dell’‘ethos’ nel genere della confessione criminale

The essay aims to analyse, from a narratological perspective, some transformations in the dialogical structures within the literary genre of the confession between the 18th and 19th century. In particular, the analysis focuses on how the ‘judicial paradigm’ of Rousseau’s Confessions, in which the mo...

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Main Author: Dino Pavlovic
Format: Article
Language:English
Published: University of Bologna 2023-01-01
Series:Griseldaonline
Subjects:
Online Access:https://griseldaonline.unibo.it/article/view/15437
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author Dino Pavlovic
author_facet Dino Pavlovic
author_sort Dino Pavlovic
collection DOAJ
description The essay aims to analyse, from a narratological perspective, some transformations in the dialogical structures within the literary genre of the confession between the 18th and 19th century. In particular, the analysis focuses on how the ‘judicial paradigm’ of Rousseau’s Confessions, in which the model of the popular genre of mémoires judiciaires plays a key role in provoking a recognition from the narratee on the basis of a set of shared ethical values, declines with the development of the eighteenth century psychology, when the inability to take the reason as a ground for an intersubjective experience, in authors like Paul Bourget and Gabriele D’Annunzio, demands a rethinking of the presence and the absence of the reader in the text.
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spelling doaj.art-10ee42f9b5744218a6e92c8ca88d3dcf2023-01-09T13:30:41ZengUniversity of BolognaGriseldaonline1721-47772023-01-01212456610.6092/issn.1721-4777/1543713778Forme dell’‘ethos’ nel genere della confessione criminaleDino Pavlovic0Università degli Studi di UdineThe essay aims to analyse, from a narratological perspective, some transformations in the dialogical structures within the literary genre of the confession between the 18th and 19th century. In particular, the analysis focuses on how the ‘judicial paradigm’ of Rousseau’s Confessions, in which the model of the popular genre of mémoires judiciaires plays a key role in provoking a recognition from the narratee on the basis of a set of shared ethical values, declines with the development of the eighteenth century psychology, when the inability to take the reason as a ground for an intersubjective experience, in authors like Paul Bourget and Gabriele D’Annunzio, demands a rethinking of the presence and the absence of the reader in the text.https://griseldaonline.unibo.it/article/view/15437d’annunzioeticanarratologiaparadigma giudiziariorousseau
spellingShingle Dino Pavlovic
Forme dell’‘ethos’ nel genere della confessione criminale
Griseldaonline
d’annunzio
etica
narratologia
paradigma giudiziario
rousseau
title Forme dell’‘ethos’ nel genere della confessione criminale
title_full Forme dell’‘ethos’ nel genere della confessione criminale
title_fullStr Forme dell’‘ethos’ nel genere della confessione criminale
title_full_unstemmed Forme dell’‘ethos’ nel genere della confessione criminale
title_short Forme dell’‘ethos’ nel genere della confessione criminale
title_sort forme dell ethos nel genere della confessione criminale
topic d’annunzio
etica
narratologia
paradigma giudiziario
rousseau
url https://griseldaonline.unibo.it/article/view/15437
work_keys_str_mv AT dinopavlovic formedellethosnelgeneredellaconfessionecriminale