Xavier Le Roy e l’identità corporea come prodotto delle circostanze
The paper addresses the performance Product of Circumstances (1999) by Xavier Le Roy, highlighting the particular corporeality that it conveys, promotes and theorizes. The work of the French choreographer is approached from an epistemological perspective and related to the “constructivist” corporeal...
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Format: | Article |
Language: | English |
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Accademia University Press
2022-07-01
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Series: | Mimesis Journal |
Online Access: | http://journals.openedition.org/mimesis/2462 |
_version_ | 1828152014551384064 |
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author | Tobia Rossetti |
author_facet | Tobia Rossetti |
author_sort | Tobia Rossetti |
collection | DOAJ |
description | The paper addresses the performance Product of Circumstances (1999) by Xavier Le Roy, highlighting the particular corporeality that it conveys, promotes and theorizes. The work of the French choreographer is approached from an epistemological perspective and related to the “constructivist” corporeal episteme promoted by a part of contemporary dance. In conclusion, the article questions how revolutionary or not are the premises of Le Roy’s non-dance compared to the production system of contemporary dance. |
first_indexed | 2024-04-11T22:06:47Z |
format | Article |
id | doaj.art-117bf6bdc2d0489084b941bf5cbc024f |
institution | Directory Open Access Journal |
issn | 2279-7203 |
language | English |
last_indexed | 2024-04-11T22:06:47Z |
publishDate | 2022-07-01 |
publisher | Accademia University Press |
record_format | Article |
series | Mimesis Journal |
spelling | doaj.art-117bf6bdc2d0489084b941bf5cbc024f2022-12-22T04:00:42ZengAccademia University PressMimesis Journal2279-72032022-07-01111618410.4000/mimesis.2462Xavier Le Roy e l’identità corporea come prodotto delle circostanzeTobia RossettiThe paper addresses the performance Product of Circumstances (1999) by Xavier Le Roy, highlighting the particular corporeality that it conveys, promotes and theorizes. The work of the French choreographer is approached from an epistemological perspective and related to the “constructivist” corporeal episteme promoted by a part of contemporary dance. In conclusion, the article questions how revolutionary or not are the premises of Le Roy’s non-dance compared to the production system of contemporary dance.http://journals.openedition.org/mimesis/2462 |
spellingShingle | Tobia Rossetti Xavier Le Roy e l’identità corporea come prodotto delle circostanze Mimesis Journal |
title | Xavier Le Roy e l’identità corporea come prodotto delle circostanze |
title_full | Xavier Le Roy e l’identità corporea come prodotto delle circostanze |
title_fullStr | Xavier Le Roy e l’identità corporea come prodotto delle circostanze |
title_full_unstemmed | Xavier Le Roy e l’identità corporea come prodotto delle circostanze |
title_short | Xavier Le Roy e l’identità corporea come prodotto delle circostanze |
title_sort | xavier le roy e l identita corporea come prodotto delle circostanze |
url | http://journals.openedition.org/mimesis/2462 |
work_keys_str_mv | AT tobiarossetti xavierleroyelidentitacorporeacomeprodottodellecircostanze |