Embodied eco-embroidery

The UN Sustainable Development Goal 4 (SDG4) addresses equal access to quality education, focusing on literacy, numeracy and the science-field STEM subjects (Science, Technology, Engineering, Mathematics), - seemingly forgetting the importance of developing practical skills like craftsmanship. STEA...

Full description

Bibliographic Details
Main Authors: Janne Iren Robberstad, Randi Veiteberg Kvellestad
Format: Article
Language:English
Published: OsloMet — Oslo Metropolitan University 2023-11-01
Series:Nordic Journal of Art and Research
Subjects:
Online Access:https://journals.oslomet.no/index.php/ar/article/view/5339
_version_ 1827658151761018880
author Janne Iren Robberstad
Randi Veiteberg Kvellestad
author_facet Janne Iren Robberstad
Randi Veiteberg Kvellestad
author_sort Janne Iren Robberstad
collection DOAJ
description The UN Sustainable Development Goal 4 (SDG4) addresses equal access to quality education, focusing on literacy, numeracy and the science-field STEM subjects (Science, Technology, Engineering, Mathematics), - seemingly forgetting the importance of developing practical skills like craftsmanship. STEAM includes Arts into STEM, where the arts represent several independent artistic forms including music, theater, dance, visual arts, crafts and so on. In this article we focus on education for sustainable development through craftsmanship in embroidery. In a transdisciplinary collaboration that includes art, craftsmanship has its own innate value. Our research question is: In which ways can creative collaboration in embroidery enhance a sustainable STEAM education learning experience? We attempt to find answers to this by looking into how STEAM collaboration may affect the ways we teach craftsmanship, and the challenges and opportunities of doing so in a holistic transdisciplinary project, with a focus on ecological sustainability. Three groups of teacher-students help examine how crafts may contribute in building ecological awareness in themselves and an audience through conveying meaningful artistic narratives. Their embroideries were inspired by the UN’s Decade of Ecosystem Restoration. The results were shared through the Global Science Opera, an international STEAM-education initiative. Our analysis of the research data is influenced by posthumanizing creativity, which emphasizes ethically contributing world citizenship through embodied, collaborative creativity between creator and creation. This journey of making and being made shows a reciprocal relationship between humans and non-humans. The slow-art of embroidery invites the students into an embodied dialogue with the materials, tools, techniques and the scientific topics in the transdisciplinary context. As researchers we wonder how this dialogue and in-depth experience affected the students’ attitudes and actions towards sustainability. We found that the data supports the embodied, co-creative embroidery process, that it improved the students' craft experience, as well as increased the understanding and respect for the challenges in the new eco-reality.   Cover image: Sewing in nature, on nature, with nature, about nature. Student work. Photos: Randi Veiteberg Kvellestad and Raquel Sans
first_indexed 2024-03-09T22:55:51Z
format Article
id doaj.art-11ac611694a74a7a97fc7db2476b5007
institution Directory Open Access Journal
issn 2535-7328
language English
last_indexed 2024-03-09T22:55:51Z
publishDate 2023-11-01
publisher OsloMet — Oslo Metropolitan University
record_format Article
series Nordic Journal of Art and Research
spelling doaj.art-11ac611694a74a7a97fc7db2476b50072023-11-23T18:10:38ZengOsloMet — Oslo Metropolitan UniversityNordic Journal of Art and Research2535-73282023-11-0112210.7577/ar.5339Embodied eco-embroideryJanne Iren Robberstad0Randi Veiteberg Kvellestad1Western Norway University of Applied SciencesOsloMet – Oslo Metropolitan University The UN Sustainable Development Goal 4 (SDG4) addresses equal access to quality education, focusing on literacy, numeracy and the science-field STEM subjects (Science, Technology, Engineering, Mathematics), - seemingly forgetting the importance of developing practical skills like craftsmanship. STEAM includes Arts into STEM, where the arts represent several independent artistic forms including music, theater, dance, visual arts, crafts and so on. In this article we focus on education for sustainable development through craftsmanship in embroidery. In a transdisciplinary collaboration that includes art, craftsmanship has its own innate value. Our research question is: In which ways can creative collaboration in embroidery enhance a sustainable STEAM education learning experience? We attempt to find answers to this by looking into how STEAM collaboration may affect the ways we teach craftsmanship, and the challenges and opportunities of doing so in a holistic transdisciplinary project, with a focus on ecological sustainability. Three groups of teacher-students help examine how crafts may contribute in building ecological awareness in themselves and an audience through conveying meaningful artistic narratives. Their embroideries were inspired by the UN’s Decade of Ecosystem Restoration. The results were shared through the Global Science Opera, an international STEAM-education initiative. Our analysis of the research data is influenced by posthumanizing creativity, which emphasizes ethically contributing world citizenship through embodied, collaborative creativity between creator and creation. This journey of making and being made shows a reciprocal relationship between humans and non-humans. The slow-art of embroidery invites the students into an embodied dialogue with the materials, tools, techniques and the scientific topics in the transdisciplinary context. As researchers we wonder how this dialogue and in-depth experience affected the students’ attitudes and actions towards sustainability. We found that the data supports the embodied, co-creative embroidery process, that it improved the students' craft experience, as well as increased the understanding and respect for the challenges in the new eco-reality.   Cover image: Sewing in nature, on nature, with nature, about nature. Student work. Photos: Randi Veiteberg Kvellestad and Raquel Sans https://journals.oslomet.no/index.php/ar/article/view/5339embroidery quality educationtransdisciplinarycraftsmanshipSTEAM-education
spellingShingle Janne Iren Robberstad
Randi Veiteberg Kvellestad
Embodied eco-embroidery
Nordic Journal of Art and Research
embroidery
quality education
transdisciplinary
craftsmanship
STEAM-education
title Embodied eco-embroidery
title_full Embodied eco-embroidery
title_fullStr Embodied eco-embroidery
title_full_unstemmed Embodied eco-embroidery
title_short Embodied eco-embroidery
title_sort embodied eco embroidery
topic embroidery
quality education
transdisciplinary
craftsmanship
STEAM-education
url https://journals.oslomet.no/index.php/ar/article/view/5339
work_keys_str_mv AT janneirenrobberstad embodiedecoembroidery
AT randiveitebergkvellestad embodiedecoembroidery