A Matter of Relationships: Dramatising, Staging and Planning Ecological Performances

This article aims to explore patterns of the creative process in which performance faces ecological thought, placing about sustainability strategies. Many scholars have investigated the relationship between theatre and ecology since the end of the XXth century. Two positions have emerged stro...

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Main Author: Emanuele Regi
Format: Article
Language:English
Published: Milano University Press 2023-08-01
Series:Itinera
Online Access:https://riviste.unimi.it/index.php/itinera/article/view/20811
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author Emanuele Regi
author_facet Emanuele Regi
author_sort Emanuele Regi
collection DOAJ
description This article aims to explore patterns of the creative process in which performance faces ecological thought, placing about sustainability strategies. Many scholars have investigated the relationship between theatre and ecology since the end of the XXth century. Two positions have emerged strongly: ecology as a metaphor (Marranca) or as a performative tool (Chaudhuri). We will reflect on more recent points of view (Giannachi Stewart, Theresa J May, Baz Kershaw) and try to relate them to sustainability science (Bologna). Then, it will be important to focus on two phases of the creative process, dramatization, and staging, to understand the evolution of artistic practices about environmental issues. Finally, we are going to apply the methodological pattern outlined by the theoretical and practical analysis to two case studies: weLAND (2021), a contemporary circus show that staged climate migration, and La möa (2022), a choreographic work in nature that embodied the relationships in the river habitat.
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spelling doaj.art-11d1cda33b75489bbaeab7f8eea8949b2023-08-09T15:20:49ZengMilano University PressItinera2039-92512023-08-012510.54103/2039-9251/20811A Matter of Relationships: Dramatising, Staging and Planning Ecological PerformancesEmanuele Regi0Università degli Studi di Bologna This article aims to explore patterns of the creative process in which performance faces ecological thought, placing about sustainability strategies. Many scholars have investigated the relationship between theatre and ecology since the end of the XXth century. Two positions have emerged strongly: ecology as a metaphor (Marranca) or as a performative tool (Chaudhuri). We will reflect on more recent points of view (Giannachi Stewart, Theresa J May, Baz Kershaw) and try to relate them to sustainability science (Bologna). Then, it will be important to focus on two phases of the creative process, dramatization, and staging, to understand the evolution of artistic practices about environmental issues. Finally, we are going to apply the methodological pattern outlined by the theoretical and practical analysis to two case studies: weLAND (2021), a contemporary circus show that staged climate migration, and La möa (2022), a choreographic work in nature that embodied the relationships in the river habitat. https://riviste.unimi.it/index.php/itinera/article/view/20811
spellingShingle Emanuele Regi
A Matter of Relationships: Dramatising, Staging and Planning Ecological Performances
Itinera
title A Matter of Relationships: Dramatising, Staging and Planning Ecological Performances
title_full A Matter of Relationships: Dramatising, Staging and Planning Ecological Performances
title_fullStr A Matter of Relationships: Dramatising, Staging and Planning Ecological Performances
title_full_unstemmed A Matter of Relationships: Dramatising, Staging and Planning Ecological Performances
title_short A Matter of Relationships: Dramatising, Staging and Planning Ecological Performances
title_sort matter of relationships dramatising staging and planning ecological performances
url https://riviste.unimi.it/index.php/itinera/article/view/20811
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