Folie des critiques

There is a certain kind of romantic mindset that regards literature as prophetic. Such a romantic would not be surprised that a text such as Edgar Allan Poes The Masque of the Red Death (1842) seemingly anticipates the lockdowns introduced to curtail the Covid-19 pandemic. Not only because, extraord...

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Main Author: Mathelinda Nabugodi
Format: Article
Language:Catalan
Published: Liverpool University Press 2023-03-01
Series:Modern Languages Open
Online Access:https://account.modernlanguagesopen.org/index.php/up-j-mlo/article/view/398
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author Mathelinda Nabugodi
author_facet Mathelinda Nabugodi
author_sort Mathelinda Nabugodi
collection DOAJ
description There is a certain kind of romantic mindset that regards literature as prophetic. Such a romantic would not be surprised that a text such as Edgar Allan Poes The Masque of the Red Death (1842) seemingly anticipates the lockdowns introduced to curtail the Covid-19 pandemic. Not only because, extraordinary as it might appear to us, Covid-19 is a pandemic like any other, but more specifically on account of what Christine Xine Yao, in another article in this special issue, has termed the toxic positivity of Prosperos masqueradean attitude that anticipates our own addiction to the pleasures of global capitalism. Yet, if the text speaks to our moment, its message is strictly speaking not inherent in the text itself but emerges only in the act of reading that actualises the text in any given present. This article seeks to actualise Poes text for my own present by integrating it into my work on Percy Bysshe Shelleys and Walter Benjamins reception of Platos Symposium. This leads me towards the conclusion that criticism, far from being a linear ascent towards ever more knowledge about a text, is a kind of folly: an elaborate edifice of words conceived in madness.
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spelling doaj.art-123169262e4a4fd4906c39c5852a4da72023-04-17T07:21:03ZcatLiverpool University PressModern Languages Open2052-53972023-03-01110.3828/mlo.v0i0.398209Folie des critiquesMathelinda Nabugodi0University of CambridgeThere is a certain kind of romantic mindset that regards literature as prophetic. Such a romantic would not be surprised that a text such as Edgar Allan Poes The Masque of the Red Death (1842) seemingly anticipates the lockdowns introduced to curtail the Covid-19 pandemic. Not only because, extraordinary as it might appear to us, Covid-19 is a pandemic like any other, but more specifically on account of what Christine Xine Yao, in another article in this special issue, has termed the toxic positivity of Prosperos masqueradean attitude that anticipates our own addiction to the pleasures of global capitalism. Yet, if the text speaks to our moment, its message is strictly speaking not inherent in the text itself but emerges only in the act of reading that actualises the text in any given present. This article seeks to actualise Poes text for my own present by integrating it into my work on Percy Bysshe Shelleys and Walter Benjamins reception of Platos Symposium. This leads me towards the conclusion that criticism, far from being a linear ascent towards ever more knowledge about a text, is a kind of folly: an elaborate edifice of words conceived in madness.https://account.modernlanguagesopen.org/index.php/up-j-mlo/article/view/398
spellingShingle Mathelinda Nabugodi
Folie des critiques
Modern Languages Open
title Folie des critiques
title_full Folie des critiques
title_fullStr Folie des critiques
title_full_unstemmed Folie des critiques
title_short Folie des critiques
title_sort folie des critiques
url https://account.modernlanguagesopen.org/index.php/up-j-mlo/article/view/398
work_keys_str_mv AT mathelindanabugodi foliedescritiques