¿La parte por el todo ?
The reading of Juan José Saer’s opus creates in the reader a memory that confers an impression of unity upon the ensemble. This reading device, particularly present in Saer’s texts, tends to erase their multiplicity and their fragmentation, which we want here to underline. Following the perspective...
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| Format: | Article |
| Language: | Spanish |
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Réseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la Plata
2011-11-01
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| Series: | Cuadernos LIRICO |
| Online Access: | https://journals.openedition.org/lirico/169 |
| Summary: | The reading of Juan José Saer’s opus creates in the reader a memory that confers an impression of unity upon the ensemble. This reading device, particularly present in Saer’s texts, tends to erase their multiplicity and their fragmentation, which we want here to underline. Following the perspective adopted by Georges Didi-Huberman, we perceive in Saer’s fragments the poetic sparkle that resists, fragile – as in Pasolini’s lucciole –, totalitarian power, “totality”. |
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| ISSN: | 2262-8339 |