¿La parte por el todo ?
The reading of Juan José Saer’s opus creates in the reader a memory that confers an impression of unity upon the ensemble. This reading device, particularly present in Saer’s texts, tends to erase their multiplicity and their fragmentation, which we want here to underline. Following the perspective...
| Main Author: | |
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| Format: | Article |
| Language: | Spanish |
| Published: |
Réseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la Plata
2011-11-01
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| Series: | Cuadernos LIRICO |
| Online Access: | https://journals.openedition.org/lirico/169 |
| _version_ | 1797310632057372672 |
|---|---|
| author | Pénélope Laurent |
| author_facet | Pénélope Laurent |
| author_sort | Pénélope Laurent |
| collection | DOAJ |
| description | The reading of Juan José Saer’s opus creates in the reader a memory that confers an impression of unity upon the ensemble. This reading device, particularly present in Saer’s texts, tends to erase their multiplicity and their fragmentation, which we want here to underline. Following the perspective adopted by Georges Didi-Huberman, we perceive in Saer’s fragments the poetic sparkle that resists, fragile – as in Pasolini’s lucciole –, totalitarian power, “totality”. |
| first_indexed | 2024-03-08T01:46:46Z |
| format | Article |
| id | doaj.art-126e72ef166c462e9eefb81890948d46 |
| institution | Directory Open Access Journal |
| issn | 2262-8339 |
| language | Spanish |
| last_indexed | 2024-03-08T01:46:46Z |
| publishDate | 2011-11-01 |
| publisher | Réseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la Plata |
| record_format | Article |
| series | Cuadernos LIRICO |
| spelling | doaj.art-126e72ef166c462e9eefb81890948d462024-02-14T12:57:51ZspaRéseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la PlataCuadernos LIRICO2262-83392011-11-016576510.4000/lirico.169¿La parte por el todo ?Pénélope LaurentThe reading of Juan José Saer’s opus creates in the reader a memory that confers an impression of unity upon the ensemble. This reading device, particularly present in Saer’s texts, tends to erase their multiplicity and their fragmentation, which we want here to underline. Following the perspective adopted by Georges Didi-Huberman, we perceive in Saer’s fragments the poetic sparkle that resists, fragile – as in Pasolini’s lucciole –, totalitarian power, “totality”.https://journals.openedition.org/lirico/169 |
| spellingShingle | Pénélope Laurent ¿La parte por el todo ? Cuadernos LIRICO |
| title | ¿La parte por el todo ? |
| title_full | ¿La parte por el todo ? |
| title_fullStr | ¿La parte por el todo ? |
| title_full_unstemmed | ¿La parte por el todo ? |
| title_short | ¿La parte por el todo ? |
| title_sort | la parte por el todo |
| url | https://journals.openedition.org/lirico/169 |
| work_keys_str_mv | AT penelopelaurent laparteporeltodo |