Apuntes sobre la canción popular moderna en México

After a reflection on the peculiar status of popular song since its entry into "the era of technical reproducibility" described by Benjamin, this article addresses three central aspects of the analysis of the modern popular song: the media construction of the image of the successful singer...

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Main Author: Hartmut Nonnenmacher
Format: Article
Language:English
Published: Prof. Dr. Vittoria Borsò, Prof. Dr. Frank Leinen, Jun.-Prof. Dr. Yasmin Temelli, Prof. Dr. Guido Rings 2013-01-01
Series:iMex. México Interdisciplinario/Interdisciplinary Mexico
Subjects:
Online Access:https://www.imex-revista.com/cancion-popular-mexicana/
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author Hartmut Nonnenmacher
author_facet Hartmut Nonnenmacher
author_sort Hartmut Nonnenmacher
collection DOAJ
description After a reflection on the peculiar status of popular song since its entry into "the era of technical reproducibility" described by Benjamin, this article addresses three central aspects of the analysis of the modern popular song: the media construction of the image of the successful singer, the textual analysis of the lyrics as well as the constitution and evolution of the genres in which the songs are grouped. To illustrate these three aspects, two Mexican examples will be analyzed: the construction of the image of Chavela Vargas as a cursed singer, the literary roots of the lyrics of the boleros La barca and El reloj, written by Roberto Cantoral, and the vicissitudes of the corrido from the 1930s to the present day.
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publishDate 2013-01-01
publisher Prof. Dr. Vittoria Borsò, Prof. Dr. Frank Leinen, Jun.-Prof. Dr. Yasmin Temelli, Prof. Dr. Guido Rings
record_format Article
series iMex. México Interdisciplinario/Interdisciplinary Mexico
spelling doaj.art-12869cadf436476389bd85f626acabc12022-12-21T22:43:29ZengProf. Dr. Vittoria Borsò, Prof. Dr. Frank Leinen, Jun.-Prof. Dr. Yasmin Temelli, Prof. Dr. Guido RingsiMex. México Interdisciplinario/Interdisciplinary Mexico2193-97562013-01-0123496310.23692/imex.3.5Apuntes sobre la canción popular moderna en MéxicoHartmut Nonnenmacher0Albert-Ludwigs-Universität FreiburgAfter a reflection on the peculiar status of popular song since its entry into "the era of technical reproducibility" described by Benjamin, this article addresses three central aspects of the analysis of the modern popular song: the media construction of the image of the successful singer, the textual analysis of the lyrics as well as the constitution and evolution of the genres in which the songs are grouped. To illustrate these three aspects, two Mexican examples will be analyzed: the construction of the image of Chavela Vargas as a cursed singer, the literary roots of the lyrics of the boleros La barca and El reloj, written by Roberto Cantoral, and the vicissitudes of the corrido from the 1930s to the present day.https://www.imex-revista.com/cancion-popular-mexicana/boleropopular songchavela vargascorridoroberto cantoral
spellingShingle Hartmut Nonnenmacher
Apuntes sobre la canción popular moderna en México
iMex. México Interdisciplinario/Interdisciplinary Mexico
bolero
popular song
chavela vargas
corrido
roberto cantoral
title Apuntes sobre la canción popular moderna en México
title_full Apuntes sobre la canción popular moderna en México
title_fullStr Apuntes sobre la canción popular moderna en México
title_full_unstemmed Apuntes sobre la canción popular moderna en México
title_short Apuntes sobre la canción popular moderna en México
title_sort apuntes sobre la cancion popular moderna en mexico
topic bolero
popular song
chavela vargas
corrido
roberto cantoral
url https://www.imex-revista.com/cancion-popular-mexicana/
work_keys_str_mv AT hartmutnonnenmacher apuntessobrelacancionpopularmodernaenmexico