Apuntes sobre la canción popular moderna en México
After a reflection on the peculiar status of popular song since its entry into "the era of technical reproducibility" described by Benjamin, this article addresses three central aspects of the analysis of the modern popular song: the media construction of the image of the successful singer...
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Format: | Article |
Language: | English |
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Prof. Dr. Vittoria Borsò, Prof. Dr. Frank Leinen, Jun.-Prof. Dr. Yasmin Temelli, Prof. Dr. Guido Rings
2013-01-01
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Series: | iMex. México Interdisciplinario/Interdisciplinary Mexico |
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Online Access: | https://www.imex-revista.com/cancion-popular-mexicana/ |
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author | Hartmut Nonnenmacher |
author_facet | Hartmut Nonnenmacher |
author_sort | Hartmut Nonnenmacher |
collection | DOAJ |
description | After a reflection on the peculiar status of popular song since its entry into "the era of technical reproducibility" described by Benjamin, this article addresses three central aspects of the analysis of the modern popular song: the media construction of the image of the successful singer, the textual analysis of the lyrics as well as the constitution and evolution of the genres in which the songs are grouped. To illustrate these three aspects, two Mexican examples will be analyzed: the construction of the image of Chavela Vargas as a cursed singer, the literary roots of the lyrics of the boleros La barca and El reloj, written by Roberto Cantoral, and the vicissitudes of the corrido from the 1930s to the present day. |
first_indexed | 2024-12-14T23:42:21Z |
format | Article |
id | doaj.art-12869cadf436476389bd85f626acabc1 |
institution | Directory Open Access Journal |
issn | 2193-9756 |
language | English |
last_indexed | 2024-12-14T23:42:21Z |
publishDate | 2013-01-01 |
publisher | Prof. Dr. Vittoria Borsò, Prof. Dr. Frank Leinen, Jun.-Prof. Dr. Yasmin Temelli, Prof. Dr. Guido Rings |
record_format | Article |
series | iMex. México Interdisciplinario/Interdisciplinary Mexico |
spelling | doaj.art-12869cadf436476389bd85f626acabc12022-12-21T22:43:29ZengProf. Dr. Vittoria Borsò, Prof. Dr. Frank Leinen, Jun.-Prof. Dr. Yasmin Temelli, Prof. Dr. Guido RingsiMex. México Interdisciplinario/Interdisciplinary Mexico2193-97562013-01-0123496310.23692/imex.3.5Apuntes sobre la canción popular moderna en MéxicoHartmut Nonnenmacher0Albert-Ludwigs-Universität FreiburgAfter a reflection on the peculiar status of popular song since its entry into "the era of technical reproducibility" described by Benjamin, this article addresses three central aspects of the analysis of the modern popular song: the media construction of the image of the successful singer, the textual analysis of the lyrics as well as the constitution and evolution of the genres in which the songs are grouped. To illustrate these three aspects, two Mexican examples will be analyzed: the construction of the image of Chavela Vargas as a cursed singer, the literary roots of the lyrics of the boleros La barca and El reloj, written by Roberto Cantoral, and the vicissitudes of the corrido from the 1930s to the present day.https://www.imex-revista.com/cancion-popular-mexicana/boleropopular songchavela vargascorridoroberto cantoral |
spellingShingle | Hartmut Nonnenmacher Apuntes sobre la canción popular moderna en México iMex. México Interdisciplinario/Interdisciplinary Mexico bolero popular song chavela vargas corrido roberto cantoral |
title | Apuntes sobre la canción popular moderna en México |
title_full | Apuntes sobre la canción popular moderna en México |
title_fullStr | Apuntes sobre la canción popular moderna en México |
title_full_unstemmed | Apuntes sobre la canción popular moderna en México |
title_short | Apuntes sobre la canción popular moderna en México |
title_sort | apuntes sobre la cancion popular moderna en mexico |
topic | bolero popular song chavela vargas corrido roberto cantoral |
url | https://www.imex-revista.com/cancion-popular-mexicana/ |
work_keys_str_mv | AT hartmutnonnenmacher apuntessobrelacancionpopularmodernaenmexico |