Art, Nature and Politics in Spring

This article discusses the third instalment of Ali Smith’s Seasonal Quartet, a work whose complex multi-voiced narrative addresses various important issues including the role of art in the contemporary world. The authors of the article employ two theoretical frameworks, Bakhtin’s theory of dialogis...

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Main Authors: Frederika Pekarčíková, Soňa Šnircová
Format: Article
Language:deu
Published: University of Ljubljana Press (Založba Univerze v Ljubljani) 2023-12-01
Series:Acta Neophilologica
Subjects:
Online Access:https://journals.uni-lj.si/ActaNeophilologica/article/view/15189
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author Frederika Pekarčíková
Soňa Šnircová
author_facet Frederika Pekarčíková
Soňa Šnircová
author_sort Frederika Pekarčíková
collection DOAJ
description This article discusses the third instalment of Ali Smith’s Seasonal Quartet, a work whose complex multi-voiced narrative addresses various important issues including the role of art in the contemporary world. The authors of the article employ two theoretical frameworks, Bakhtin’s theory of dialogism and Vermeulen and van den Akker’s studies on metamodernism, to argue that Smith adopts a dialogical approach to the theme of art. With the help of close reading the authors map the dialogical clashes between the main voices and the semantic positions which are taken in order to demonstrate that the central dialogue presented within the novel is that between postmodern and metamodern sensibilities. Special attention is paid to the character Richard who represents the clear replacement of the postmodern sensibility with a metamodern approach through his semantic position, as is informed by his search for universality in art, his neo-romantic turn to the appreciation of the beauty of nature and his rejection of the postmodern trends that produce superficial and inauthentic forms of art.  
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spelling doaj.art-128a3c767c584807999d4d85138b1b2c2023-12-08T22:13:43ZdeuUniversity of Ljubljana Press (Založba Univerze v Ljubljani)Acta Neophilologica0567-784X2350-417X2023-12-01561-210.4312/an.56.1-2.5-20Art, Nature and Politics in SpringFrederika Pekarčíková0Soňa Šnircová1Pavol Jozef Šafárik University, Košice, SlovakiaPavol Jozef Šafárik University, Košice, Slovakia This article discusses the third instalment of Ali Smith’s Seasonal Quartet, a work whose complex multi-voiced narrative addresses various important issues including the role of art in the contemporary world. The authors of the article employ two theoretical frameworks, Bakhtin’s theory of dialogism and Vermeulen and van den Akker’s studies on metamodernism, to argue that Smith adopts a dialogical approach to the theme of art. With the help of close reading the authors map the dialogical clashes between the main voices and the semantic positions which are taken in order to demonstrate that the central dialogue presented within the novel is that between postmodern and metamodern sensibilities. Special attention is paid to the character Richard who represents the clear replacement of the postmodern sensibility with a metamodern approach through his semantic position, as is informed by his search for universality in art, his neo-romantic turn to the appreciation of the beauty of nature and his rejection of the postmodern trends that produce superficial and inauthentic forms of art.   https://journals.uni-lj.si/ActaNeophilologica/article/view/15189artnaturepoliticspostmodernismmetamodernismdialogue
spellingShingle Frederika Pekarčíková
Soňa Šnircová
Art, Nature and Politics in Spring
Acta Neophilologica
art
nature
politics
postmodernism
metamodernism
dialogue
title Art, Nature and Politics in Spring
title_full Art, Nature and Politics in Spring
title_fullStr Art, Nature and Politics in Spring
title_full_unstemmed Art, Nature and Politics in Spring
title_short Art, Nature and Politics in Spring
title_sort art nature and politics in spring
topic art
nature
politics
postmodernism
metamodernism
dialogue
url https://journals.uni-lj.si/ActaNeophilologica/article/view/15189
work_keys_str_mv AT frederikapekarcikova artnatureandpoliticsinspring
AT sonasnircova artnatureandpoliticsinspring