Nowi Londyńczycy. 
Polscy emigranci na dużym (i małym) ekranie

The article focuses on growing presence of Polish labour immigrants in contemporary European cinema and TV fiction. Striking differences are observed between pre­1989 and post­1989 productions on the subject of labour migration. Whereas older films tend to depict Polish job­seekers as unfortunate tr...

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Main Author: Kris Van Heuckelom
Format: Article
Language:English
Published: University of Silesia Press 2020-12-01
Series:Postscriptum Polonistyczne
Online Access:https://www.journals.us.edu.pl/index.php/PPol/article/view/11063
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author Kris Van Heuckelom
author_facet Kris Van Heuckelom
author_sort Kris Van Heuckelom
collection DOAJ
description The article focuses on growing presence of Polish labour immigrants in contemporary European cinema and TV fiction. Striking differences are observed between pre­1989 and post­1989 productions on the subject of labour migration. Whereas older films tend to depict Polish job­seekers as unfortunate troublemakers, films set in the post­communist period seem to convey increased social interaction between newcomers and local people which need not be hostile. This is usually represented by a motif of an interethnic love story. As such, recent European productions depart from the traditional portrayal of immigrants in post­war Polish film “as an anomaly from the norm and a problem for which somebody is to blame,” as Ewa Mazierska puts it (2009; 123). Similarly, post­1989 representations of Polish labour migrants in European cinema differ significantly from the image created in recent Polish drama series Londyńczycy (Londoners, 2008–2009) where stress is laid on the strong cohesive spirit within the Polish migrant community rather than the motif of a (happy) interethnic romance.
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spelling doaj.art-128b77314555428cbf645d2ff50dc6d82022-12-22T04:16:58ZengUniversity of Silesia PressPostscriptum Polonistyczne1898-15932353-98442020-12-0151Nowi Londyńczycy. 
Polscy emigranci na dużym (i małym) ekranieKris Van Heuckelom0prof. dr, Instytut Slawistyki, Uniwersytet Katolicki w Leuven, Belgia.The article focuses on growing presence of Polish labour immigrants in contemporary European cinema and TV fiction. Striking differences are observed between pre­1989 and post­1989 productions on the subject of labour migration. Whereas older films tend to depict Polish job­seekers as unfortunate troublemakers, films set in the post­communist period seem to convey increased social interaction between newcomers and local people which need not be hostile. This is usually represented by a motif of an interethnic love story. As such, recent European productions depart from the traditional portrayal of immigrants in post­war Polish film “as an anomaly from the norm and a problem for which somebody is to blame,” as Ewa Mazierska puts it (2009; 123). Similarly, post­1989 representations of Polish labour migrants in European cinema differ significantly from the image created in recent Polish drama series Londyńczycy (Londoners, 2008–2009) where stress is laid on the strong cohesive spirit within the Polish migrant community rather than the motif of a (happy) interethnic romance.https://www.journals.us.edu.pl/index.php/PPol/article/view/11063
spellingShingle Kris Van Heuckelom
Nowi Londyńczycy. 
Polscy emigranci na dużym (i małym) ekranie
Postscriptum Polonistyczne
title Nowi Londyńczycy. 
Polscy emigranci na dużym (i małym) ekranie
title_full Nowi Londyńczycy. 
Polscy emigranci na dużym (i małym) ekranie
title_fullStr Nowi Londyńczycy. 
Polscy emigranci na dużym (i małym) ekranie
title_full_unstemmed Nowi Londyńczycy. 
Polscy emigranci na dużym (i małym) ekranie
title_short Nowi Londyńczycy. 
Polscy emigranci na dużym (i małym) ekranie
title_sort nowi londynczycy 
polscy emigranci na duzym i malym ekranie
url https://www.journals.us.edu.pl/index.php/PPol/article/view/11063
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