Duplication of uniqueness: electrotyping in nature printing and its application in contemporary art

Abstract The nature printing technique was designed for the electrotyping reproduction of leaves and other natural products. Authentic impressions could be performed by inserting leaves between two lead plates or pressing leaves into the lead plate by a press. The impression obtained in the soft lea...

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Main Authors: Valentina Ljubić Tobisch, Albina Selimović, Anna Artaker, Martin Klobassa, Wolfgang Kautek
Format: Article
Language:English
Published: SpringerOpen 2019-03-01
Series:Heritage Science
Subjects:
Online Access:http://link.springer.com/article/10.1186/s40494-019-0263-0
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author Valentina Ljubić Tobisch
Albina Selimović
Anna Artaker
Martin Klobassa
Wolfgang Kautek
author_facet Valentina Ljubić Tobisch
Albina Selimović
Anna Artaker
Martin Klobassa
Wolfgang Kautek
author_sort Valentina Ljubić Tobisch
collection DOAJ
description Abstract The nature printing technique was designed for the electrotyping reproduction of leaves and other natural products. Authentic impressions could be performed by inserting leaves between two lead plates or pressing leaves into the lead plate by a press. The impression obtained in the soft lead plate could then be further reproduced by copper electroplating. Electrochemically deposited copper is hard-wearing and therefore very suitable for the production of printing plates. However, depending on the technical implementation and the choice of the materials used, decisive differences in the faithfulness of reproductions of original motifs may occur during the electrochemical deposition. A central topic in electroforming of printing plates is the choice of the conductive layer on the mould. In the present study, it has been shown that graphite powder represents a conductive phase on the siloxane mould superior to silver and copper powder. The grain size of the copper electrodeposit depended on the powder grain size. The copper plate deposited on graphite powder showed the lowest grain size (5–20 µm) and the highest homogeneity of the print background. Hand polishing of the printing plate resulted in a much better faithfulness of the motif details than that of the machine polished version. However, the background of the print derived from the machine polished plate was the most homogeneous. Electrochemical investigation showed that remnants of the silver powder could result in local elements that could enhance corrosion and thus impair the durability of the printing plates. This phenomenon was negligible with the conductive layers consisting of graphite and copper.
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spelling doaj.art-12d7e5c24fed4233aeb4c013d9c5a76b2022-12-22T00:01:57ZengSpringerOpenHeritage Science2050-74452019-03-017111010.1186/s40494-019-0263-0Duplication of uniqueness: electrotyping in nature printing and its application in contemporary artValentina Ljubić Tobisch0Albina Selimović1Anna Artaker2Martin Klobassa3Wolfgang Kautek4Department of Physical Chemistry, University of ViennaDepartment of Physical Chemistry, University of ViennaAcademy of Fine Arts Vienna, Elise-Richter-Research FellowSculptor and Metal DesignerDepartment of Physical Chemistry, University of ViennaAbstract The nature printing technique was designed for the electrotyping reproduction of leaves and other natural products. Authentic impressions could be performed by inserting leaves between two lead plates or pressing leaves into the lead plate by a press. The impression obtained in the soft lead plate could then be further reproduced by copper electroplating. Electrochemically deposited copper is hard-wearing and therefore very suitable for the production of printing plates. However, depending on the technical implementation and the choice of the materials used, decisive differences in the faithfulness of reproductions of original motifs may occur during the electrochemical deposition. A central topic in electroforming of printing plates is the choice of the conductive layer on the mould. In the present study, it has been shown that graphite powder represents a conductive phase on the siloxane mould superior to silver and copper powder. The grain size of the copper electrodeposit depended on the powder grain size. The copper plate deposited on graphite powder showed the lowest grain size (5–20 µm) and the highest homogeneity of the print background. Hand polishing of the printing plate resulted in a much better faithfulness of the motif details than that of the machine polished version. However, the background of the print derived from the machine polished plate was the most homogeneous. Electrochemical investigation showed that remnants of the silver powder could result in local elements that could enhance corrosion and thus impair the durability of the printing plates. This phenomenon was negligible with the conductive layers consisting of graphite and copper.http://link.springer.com/article/10.1186/s40494-019-0263-0Nature printingPrinting platesElectrotypingConductive layerHeritage scienceContemporary art
spellingShingle Valentina Ljubić Tobisch
Albina Selimović
Anna Artaker
Martin Klobassa
Wolfgang Kautek
Duplication of uniqueness: electrotyping in nature printing and its application in contemporary art
Heritage Science
Nature printing
Printing plates
Electrotyping
Conductive layer
Heritage science
Contemporary art
title Duplication of uniqueness: electrotyping in nature printing and its application in contemporary art
title_full Duplication of uniqueness: electrotyping in nature printing and its application in contemporary art
title_fullStr Duplication of uniqueness: electrotyping in nature printing and its application in contemporary art
title_full_unstemmed Duplication of uniqueness: electrotyping in nature printing and its application in contemporary art
title_short Duplication of uniqueness: electrotyping in nature printing and its application in contemporary art
title_sort duplication of uniqueness electrotyping in nature printing and its application in contemporary art
topic Nature printing
Printing plates
Electrotyping
Conductive layer
Heritage science
Contemporary art
url http://link.springer.com/article/10.1186/s40494-019-0263-0
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AT annaartaker duplicationofuniquenesselectrotypinginnatureprintinganditsapplicationincontemporaryart
AT martinklobassa duplicationofuniquenesselectrotypinginnatureprintinganditsapplicationincontemporaryart
AT wolfgangkautek duplicationofuniquenesselectrotypinginnatureprintinganditsapplicationincontemporaryart