<i>Inhalt</i> (‘content’) as a technical term in musical semiotics
Inhalt (‘content’) is so common that it could hardly pass as a technical term. The purpose of this article is to show that from the 18<sup>th</sup> to the 20<sup>th</sup> century it was nevertheless used particularly to denote the specifically musical meaning arising from wha...
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| Format: | Article |
| Language: | Croatian |
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Institut za hrvatski jezik i jezikoslovlje
2018-01-01
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| Series: | Rasprave Instituta za Hrvatski Jezik i Jezikoslovlje |
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| Online Access: | https://hrcak.srce.hr/file/318296 |
| _version_ | 1797207455398100992 |
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| author | Nicolas Meeùs |
| author_facet | Nicolas Meeùs |
| author_sort | Nicolas Meeùs |
| collection | DOAJ |
| description | Inhalt (‘content’) is so common that it could hardly pass as a technical term. The purpose of this article is to show that from the 18<sup>th</sup> to the 20<sup>th</sup> century it was nevertheless used particularly to denote the specifically musical meaning arising from what music ‘contains’ of notes, rhythms, melodic cells, etc. Hegel, Marx, Hauptmann, Hanslick, Schenker, Schoenberg and probably others shared the same view that music has a content of its own, one that cannot be translated in verbal language. |
| first_indexed | 2024-04-24T09:23:11Z |
| format | Article |
| id | doaj.art-12d82cbbab3449d48da23c00d1b58c1c |
| institution | Directory Open Access Journal |
| issn | 1331-6745 1849-0379 |
| language | Croatian |
| last_indexed | 2024-04-24T09:23:11Z |
| publishDate | 2018-01-01 |
| publisher | Institut za hrvatski jezik i jezikoslovlje |
| record_format | Article |
| series | Rasprave Instituta za Hrvatski Jezik i Jezikoslovlje |
| spelling | doaj.art-12d82cbbab3449d48da23c00d1b58c1c2024-04-15T15:24:52ZhrvInstitut za hrvatski jezik i jezikoslovljeRasprave Instituta za Hrvatski Jezik i Jezikoslovlje1331-67451849-03792018-01-0144253954910.31724/rihjj.44.2.14<i>Inhalt</i> (‘content’) as a technical term in musical semioticsNicolas Meeùs0Institut de Recherche en Musicologie, CNRS, ParisInhalt (‘content’) is so common that it could hardly pass as a technical term. The purpose of this article is to show that from the 18<sup>th</sup> to the 20<sup>th</sup> century it was nevertheless used particularly to denote the specifically musical meaning arising from what music ‘contains’ of notes, rhythms, melodic cells, etc. Hegel, Marx, Hauptmann, Hanslick, Schenker, Schoenberg and probably others shared the same view that music has a content of its own, one that cannot be translated in verbal language.https://hrcak.srce.hr/file/318296InhaltHegelHanslickSchenkerSchoenberg |
| spellingShingle | Nicolas Meeùs <i>Inhalt</i> (‘content’) as a technical term in musical semiotics Rasprave Instituta za Hrvatski Jezik i Jezikoslovlje Inhalt Hegel Hanslick Schenker Schoenberg |
| title | <i>Inhalt</i> (‘content’) as a technical term in musical semiotics |
| title_full | <i>Inhalt</i> (‘content’) as a technical term in musical semiotics |
| title_fullStr | <i>Inhalt</i> (‘content’) as a technical term in musical semiotics |
| title_full_unstemmed | <i>Inhalt</i> (‘content’) as a technical term in musical semiotics |
| title_short | <i>Inhalt</i> (‘content’) as a technical term in musical semiotics |
| title_sort | i inhalt i content as a technical term in musical semiotics |
| topic | Inhalt Hegel Hanslick Schenker Schoenberg |
| url | https://hrcak.srce.hr/file/318296 |
| work_keys_str_mv | AT nicolasmeeus iinhalticontentasatechnicalterminmusicalsemiotics |