4. Passion in the Work of Johann Sebastian Bach

Passions are exceptionally important in the works of Johann Sebastian Bach. His passion compositions are based particularly on Luther’s reformation, chiefly on developmental tendency which is based on the works of Johann Walter, Hans Leo Hassler and Michael Praetorius. The most significant forerunne...

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Main Author: Medňanský Karol
Format: Article
Language:English
Published: Sciendo 2016-03-01
Series:Review of Artistic Education
Subjects:
Online Access:https://doi.org/10.1515/rae-2016-0004
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author Medňanský Karol
author_facet Medňanský Karol
author_sort Medňanský Karol
collection DOAJ
description Passions are exceptionally important in the works of Johann Sebastian Bach. His passion compositions are based particularly on Luther’s reformation, chiefly on developmental tendency which is based on the works of Johann Walter, Hans Leo Hassler and Michael Praetorius. The most significant forerunner of J. S. Bach was Heinrich Schütz. J. S. Bach’s textual aspect is aimed at the model of passion oratorio the main representative of which was a librettist Heinrich Brockes who worked in Hamburg. The interesting fact is that before the arrival of J. S. Bach, in 1723, there was no long tradition of passions in Leipzig. They were performed there in 1721 for the first time. J. S. Bach is demonstrably the author of the two passions: St Matthew Passion BWV 244 and St John Passion BWV 245. The authorship of Johann Sebastian Bach in St. Lukas Passion BWV 246 is strongly called into question and from St Mark Passion BWV 24 only the text was preserved.
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spelling doaj.art-132c5329a1244d7da3cf0d156b87cac52022-12-21T21:59:46ZengSciendoReview of Artistic Education2501-238X2016-03-01111304110.1515/rae-2016-0004rae-2016-00044. Passion in the Work of Johann Sebastian BachMedňanský Karol0Associate Professor, PhD., “Prešov University” from Prešov, Slovak RepublicPassions are exceptionally important in the works of Johann Sebastian Bach. His passion compositions are based particularly on Luther’s reformation, chiefly on developmental tendency which is based on the works of Johann Walter, Hans Leo Hassler and Michael Praetorius. The most significant forerunner of J. S. Bach was Heinrich Schütz. J. S. Bach’s textual aspect is aimed at the model of passion oratorio the main representative of which was a librettist Heinrich Brockes who worked in Hamburg. The interesting fact is that before the arrival of J. S. Bach, in 1723, there was no long tradition of passions in Leipzig. They were performed there in 1721 for the first time. J. S. Bach is demonstrably the author of the two passions: St Matthew Passion BWV 244 and St John Passion BWV 245. The authorship of Johann Sebastian Bach in St. Lukas Passion BWV 246 is strongly called into question and from St Mark Passion BWV 24 only the text was preserved.https://doi.org/10.1515/rae-2016-0004passionreformationpassion oratorioheritagetradition
spellingShingle Medňanský Karol
4. Passion in the Work of Johann Sebastian Bach
Review of Artistic Education
passion
reformation
passion oratorio
heritage
tradition
title 4. Passion in the Work of Johann Sebastian Bach
title_full 4. Passion in the Work of Johann Sebastian Bach
title_fullStr 4. Passion in the Work of Johann Sebastian Bach
title_full_unstemmed 4. Passion in the Work of Johann Sebastian Bach
title_short 4. Passion in the Work of Johann Sebastian Bach
title_sort 4 passion in the work of johann sebastian bach
topic passion
reformation
passion oratorio
heritage
tradition
url https://doi.org/10.1515/rae-2016-0004
work_keys_str_mv AT mednanskykarol 4passionintheworkofjohannsebastianbach