Will to Language, Culture, and Power. Dániel Berzsenyi and his Martial Poetry

In his article “Will to Language, Culture, and Power” Gábor Vaderna investigates different discourses of violence in early 19th-century Hungary. According to Norbert Elias, violence has not disappeared from modern society but the individual has transferred the institution, opportunity, and protocols...

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Main Author: Vaderna Gábor
Format: Article
Language:English
Published: Sciendo 2020-12-01
Series:Hungarian Studies Yearbook
Subjects:
Online Access:https://doi.org/10.2478/hsy-2020-0002
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author Vaderna Gábor
author_facet Vaderna Gábor
author_sort Vaderna Gábor
collection DOAJ
description In his article “Will to Language, Culture, and Power” Gábor Vaderna investigates different discourses of violence in early 19th-century Hungary. According to Norbert Elias, violence has not disappeared from modern society but the individual has transferred the institution, opportunity, and protocols of violence to the state. There are also aesthetic consequences of this process. The question is whether institutionalized violence was a tool of power to stabilize modern societies or rather it was in fact a threat to aesthetic beauty. From the analysis of a poem by the Hungarian poet, Dániel Berzsenyi (1776–1832), written in wartime, Vaderna concludes that the Central European noble classes perceived a tension between the eternal virtue and real history. The exercise of power, the possession of violence and the nation-building potential of culture were closely intertwined in their political language.
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spelling doaj.art-133c426f9809465588d5bf08cafb80622023-01-19T12:54:41ZengSciendoHungarian Studies Yearbook2668-75422020-12-0121112710.2478/hsy-2020-0002Will to Language, Culture, and Power. Dániel Berzsenyi and his Martial PoetryVaderna Gábor0Institute of Hungarian Literature and Cultural Studies, Eötvös Loránd University/ Institute for Literary Studies of Research Centre for the Humanities, Eötvös Loránd Research Network (Budapest)In his article “Will to Language, Culture, and Power” Gábor Vaderna investigates different discourses of violence in early 19th-century Hungary. According to Norbert Elias, violence has not disappeared from modern society but the individual has transferred the institution, opportunity, and protocols of violence to the state. There are also aesthetic consequences of this process. The question is whether institutionalized violence was a tool of power to stabilize modern societies or rather it was in fact a threat to aesthetic beauty. From the analysis of a poem by the Hungarian poet, Dániel Berzsenyi (1776–1832), written in wartime, Vaderna concludes that the Central European noble classes perceived a tension between the eternal virtue and real history. The exercise of power, the possession of violence and the nation-building potential of culture were closely intertwined in their political language.https://doi.org/10.2478/hsy-2020-0002martial poetryviolencecivilizing processaesthetics of powerinsurrection
spellingShingle Vaderna Gábor
Will to Language, Culture, and Power. Dániel Berzsenyi and his Martial Poetry
Hungarian Studies Yearbook
martial poetry
violence
civilizing process
aesthetics of power
insurrection
title Will to Language, Culture, and Power. Dániel Berzsenyi and his Martial Poetry
title_full Will to Language, Culture, and Power. Dániel Berzsenyi and his Martial Poetry
title_fullStr Will to Language, Culture, and Power. Dániel Berzsenyi and his Martial Poetry
title_full_unstemmed Will to Language, Culture, and Power. Dániel Berzsenyi and his Martial Poetry
title_short Will to Language, Culture, and Power. Dániel Berzsenyi and his Martial Poetry
title_sort will to language culture and power daniel berzsenyi and his martial poetry
topic martial poetry
violence
civilizing process
aesthetics of power
insurrection
url https://doi.org/10.2478/hsy-2020-0002
work_keys_str_mv AT vadernagabor willtolanguagecultureandpowerdanielberzsenyiandhismartialpoetry