Copyright Failure and the Protection for Tables and Compilation
Current copyright laws in all jurisdictions are lacking explicit provisions for protecting many types of contemporary art. It remains unclear to what extent ideas should be copyrightable as art, if at all; or whether an artwork’s commercial nature provides a decisive factor regarding appropriation....
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
University of Edinburgh
2006-06-01
|
| Series: | SCRIPTed: A Journal of Law, Technology & Society |
| Online Access: | http://www.law.ed.ac.uk/ahrb/script-ed/vol3-2/khong.asp |
| _version_ | 1818454052412850176 |
|---|---|
| author | Dennis K W Khong |
| author_facet | Dennis K W Khong |
| author_sort | Dennis K W Khong |
| collection | DOAJ |
| description | Current copyright laws in all jurisdictions are lacking explicit provisions for protecting many types of contemporary art. It remains unclear to what extent ideas should be copyrightable as art, if at all; or whether an artwork’s commercial nature provides a decisive factor regarding appropriation. Certain situations seem plainly inappropriate, such as artists needing to seek legal counsel in conjunction with creating their artwork: inappropriate in its financial extravagance and in its inevitable curb on creativity. As such, it is incumbent upon courts and legislatures to analyze the issue and to provide guidance. It is the author’s finding that strong moral rights and a vibrant public domain are not necessarily at odds with each other, especially when parties are open to communication. Laws operate to provide structure when parties do not make other arrangements amongst themselves; contracts between artists and galleries, artists and publishers, even artists and other artists may provide the highest degree of satisfaction for specific parties to a specific situation. Not surprisingly, parties with legal or business interests in art and parties with artistic interests in art would communicate better if they understood each other’s situations. Hopefully the issues will continue to be the focus of some thought on all platforms such that informed legal decisions can be made and artists can pursue and protect their creative productions, no matter their format. |
| first_indexed | 2024-12-14T21:48:45Z |
| format | Article |
| id | doaj.art-1385a9ad690f481fa322536f44350bd8 |
| institution | Directory Open Access Journal |
| issn | 1744-2567 |
| language | English |
| last_indexed | 2024-12-14T21:48:45Z |
| publishDate | 2006-06-01 |
| publisher | University of Edinburgh |
| record_format | Article |
| series | SCRIPTed: A Journal of Law, Technology & Society |
| spelling | doaj.art-1385a9ad690f481fa322536f44350bd82022-12-21T22:46:17ZengUniversity of EdinburghSCRIPTed: A Journal of Law, Technology & Society1744-25672006-06-0132132153Copyright Failure and the Protection for Tables and CompilationDennis K W KhongCurrent copyright laws in all jurisdictions are lacking explicit provisions for protecting many types of contemporary art. It remains unclear to what extent ideas should be copyrightable as art, if at all; or whether an artwork’s commercial nature provides a decisive factor regarding appropriation. Certain situations seem plainly inappropriate, such as artists needing to seek legal counsel in conjunction with creating their artwork: inappropriate in its financial extravagance and in its inevitable curb on creativity. As such, it is incumbent upon courts and legislatures to analyze the issue and to provide guidance. It is the author’s finding that strong moral rights and a vibrant public domain are not necessarily at odds with each other, especially when parties are open to communication. Laws operate to provide structure when parties do not make other arrangements amongst themselves; contracts between artists and galleries, artists and publishers, even artists and other artists may provide the highest degree of satisfaction for specific parties to a specific situation. Not surprisingly, parties with legal or business interests in art and parties with artistic interests in art would communicate better if they understood each other’s situations. Hopefully the issues will continue to be the focus of some thought on all platforms such that informed legal decisions can be made and artists can pursue and protect their creative productions, no matter their format.http://www.law.ed.ac.uk/ahrb/script-ed/vol3-2/khong.asp |
| spellingShingle | Dennis K W Khong Copyright Failure and the Protection for Tables and Compilation SCRIPTed: A Journal of Law, Technology & Society |
| title | Copyright Failure and the Protection for Tables and Compilation |
| title_full | Copyright Failure and the Protection for Tables and Compilation |
| title_fullStr | Copyright Failure and the Protection for Tables and Compilation |
| title_full_unstemmed | Copyright Failure and the Protection for Tables and Compilation |
| title_short | Copyright Failure and the Protection for Tables and Compilation |
| title_sort | copyright failure and the protection for tables and compilation |
| url | http://www.law.ed.ac.uk/ahrb/script-ed/vol3-2/khong.asp |
| work_keys_str_mv | AT denniskwkhong copyrightfailureandtheprotectionfortablesandcompilation |