Lo slittamento dell’aura nell’arte contemporanea
Walter Benjamin fully captures the radical transformation of the aesthetic experience of some of the avant-garde artists from the beginning of the 1900s – the cornerstones of the aura disappear with the Dadaists. However, Benjamin does not understand that while the aura disappears from the artist’s...
| Main Author: | |
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| Format: | Article |
| Language: | English |
| Published: |
Rosenberg & Sellier
2013-03-01
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| Series: | Rivista di Estetica |
| Online Access: | http://journals.openedition.org/estetica/1601 |
| _version_ | 1819095444011089920 |
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| author | Elisabetta Cristallini |
| author_facet | Elisabetta Cristallini |
| author_sort | Elisabetta Cristallini |
| collection | DOAJ |
| description | Walter Benjamin fully captures the radical transformation of the aesthetic experience of some of the avant-garde artists from the beginning of the 1900s – the cornerstones of the aura disappear with the Dadaists. However, Benjamin does not understand that while the aura disappears from the artist’s work, it will later reappear in the artist himself… sliding from the work to the artist. In fact Duchamp, after abandoning painting and the realization of ready made works, dedicates himself to behavioral actions which accentuate the authorship or the artist, and not the work of art. This creates a mysterious and almost sacred atmosphere around the author, similar to the concept of aura. The sliding of the aura from the work to the artist is found in other artists of the 1900s… (from Yves Klein to Piero Manzoni, from Jackson Pollock to Joseph Beuys). |
| first_indexed | 2024-12-21T23:43:24Z |
| format | Article |
| id | doaj.art-13b2c0d4c27944bfa9d47ec2eef18620 |
| institution | Directory Open Access Journal |
| issn | 0035-6212 2421-5864 |
| language | English |
| last_indexed | 2024-12-21T23:43:24Z |
| publishDate | 2013-03-01 |
| publisher | Rosenberg & Sellier |
| record_format | Article |
| series | Rivista di Estetica |
| spelling | doaj.art-13b2c0d4c27944bfa9d47ec2eef186202022-12-21T18:46:10ZengRosenberg & SellierRivista di Estetica0035-62122421-58642013-03-0152273110.4000/estetica.1601Lo slittamento dell’aura nell’arte contemporaneaElisabetta CristalliniWalter Benjamin fully captures the radical transformation of the aesthetic experience of some of the avant-garde artists from the beginning of the 1900s – the cornerstones of the aura disappear with the Dadaists. However, Benjamin does not understand that while the aura disappears from the artist’s work, it will later reappear in the artist himself… sliding from the work to the artist. In fact Duchamp, after abandoning painting and the realization of ready made works, dedicates himself to behavioral actions which accentuate the authorship or the artist, and not the work of art. This creates a mysterious and almost sacred atmosphere around the author, similar to the concept of aura. The sliding of the aura from the work to the artist is found in other artists of the 1900s… (from Yves Klein to Piero Manzoni, from Jackson Pollock to Joseph Beuys).http://journals.openedition.org/estetica/1601 |
| spellingShingle | Elisabetta Cristallini Lo slittamento dell’aura nell’arte contemporanea Rivista di Estetica |
| title | Lo slittamento dell’aura nell’arte contemporanea |
| title_full | Lo slittamento dell’aura nell’arte contemporanea |
| title_fullStr | Lo slittamento dell’aura nell’arte contemporanea |
| title_full_unstemmed | Lo slittamento dell’aura nell’arte contemporanea |
| title_short | Lo slittamento dell’aura nell’arte contemporanea |
| title_sort | lo slittamento dell aura nell arte contemporanea |
| url | http://journals.openedition.org/estetica/1601 |
| work_keys_str_mv | AT elisabettacristallini loslittamentodellauranellartecontemporanea |