Corps (é)conduits : La construction d’un regard-machine dans Crash (1996) et Cosmopolis (2012) de David Cronenberg
“It is necessary to identify two point of views [in Crash]: that of the characters […] and that of the audience”, Paul-Marie Battestini writes in his work on David Cronenberg’s film. It may nevertheless be fruitful to question the possibility of a third perspective, that of the cars on which Crash a...
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| Format: | Article |
| Language: | English |
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Centre de Recherche "Texte et Critique de Texte"
2023-06-01
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| Series: | Sillages Critiques |
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| Online Access: | http://journals.openedition.org/sillagescritiques/14492 |