Narrating Islands: Fragmentation and Totality as Figures of Thought in Raoul Schrott’s Work

This paper reflects on depictions of islands in two novels by the Austrian author Raoul Schrott (born 1964): his first novel, Finis Terrae: Manuscripts, from 1995, and the later Tristan da Cunha or Half of the Earth from 2003. I argue that Schrott’s concepts and explorations of islands strongly infl...

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Main Author: Oriana Schällibaum
Format: Article
Language:English
Published: Island Studies Journal 2017-11-01
Series:Island Studies Journal
Online Access:https://doi.org/10.24043/isj.21
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author Oriana Schällibaum
author_facet Oriana Schällibaum
author_sort Oriana Schällibaum
collection DOAJ
description This paper reflects on depictions of islands in two novels by the Austrian author Raoul Schrott (born 1964): his first novel, Finis Terrae: Manuscripts, from 1995, and the later Tristan da Cunha or Half of the Earth from 2003. I argue that Schrott’s concepts and explorations of islands strongly influence the presentation and organisation of his texts. Finis Terrae and Tristan da Cunha exhibit distinctly different concepts of the insular. Whereas the earlier text accentuates a frail, fragmented, and almost mythical condition, the later novel Tristan evokes a plethora of Western topoi about islands and heavily relies on dualities. In both cases, island concepts are also reflected in narrative gestures: oppositions are central to interpreting and analysing Tristan da Cunha, and Finis Terrae revolves around fragmentation, vagueness, and loss. Islands are thus not only objects in the texts—they also determine the design and structure of the texts.
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spelling doaj.art-13e252dabe984549940cc568809098502023-06-25T03:42:21ZengIsland Studies JournalIsland Studies Journal1715-25932017-11-01122Narrating Islands: Fragmentation and Totality as Figures of Thought in Raoul Schrott’s WorkOriana SchällibaumThis paper reflects on depictions of islands in two novels by the Austrian author Raoul Schrott (born 1964): his first novel, Finis Terrae: Manuscripts, from 1995, and the later Tristan da Cunha or Half of the Earth from 2003. I argue that Schrott’s concepts and explorations of islands strongly influence the presentation and organisation of his texts. Finis Terrae and Tristan da Cunha exhibit distinctly different concepts of the insular. Whereas the earlier text accentuates a frail, fragmented, and almost mythical condition, the later novel Tristan evokes a plethora of Western topoi about islands and heavily relies on dualities. In both cases, island concepts are also reflected in narrative gestures: oppositions are central to interpreting and analysing Tristan da Cunha, and Finis Terrae revolves around fragmentation, vagueness, and loss. Islands are thus not only objects in the texts—they also determine the design and structure of the texts.https://doi.org/10.24043/isj.21
spellingShingle Oriana Schällibaum
Narrating Islands: Fragmentation and Totality as Figures of Thought in Raoul Schrott’s Work
Island Studies Journal
title Narrating Islands: Fragmentation and Totality as Figures of Thought in Raoul Schrott’s Work
title_full Narrating Islands: Fragmentation and Totality as Figures of Thought in Raoul Schrott’s Work
title_fullStr Narrating Islands: Fragmentation and Totality as Figures of Thought in Raoul Schrott’s Work
title_full_unstemmed Narrating Islands: Fragmentation and Totality as Figures of Thought in Raoul Schrott’s Work
title_short Narrating Islands: Fragmentation and Totality as Figures of Thought in Raoul Schrott’s Work
title_sort narrating islands fragmentation and totality as figures of thought in raoul schrott s work
url https://doi.org/10.24043/isj.21
work_keys_str_mv AT orianaschallibaum narratingislandsfragmentationandtotalityasfiguresofthoughtinraoulschrottswork