Manuscript, Print and the Market for Music in Early Modern Europe
The shifting tensions between two major features of the dissemination of music in the early modern era – between manuscript and printed transmission on the one hand, and between “centre” and “periphery” on the other – are explored in this paper via the example of the dissemination of the motet Aspic...
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| Format: | Article |
| Language: | deu |
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ZRC SAZU, Založba ZRC
2015-10-01
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| Series: | De Musica Disserenda |
| Subjects: | |
| Online Access: | https://ojs.zrc-sazu.si/dmd/article/view/3068 |
| Summary: | The shifting tensions between two major features of the dissemination of music in the early modern era – between manuscript and printed transmission on the one hand, and between “centre” and “periphery” on the other – are explored in this paper via the example of the dissemination of the motet Aspice Domine by Jacquet of Mantua. Central to the dynamics of both is the evolution of an expanding market for
printed books of music, a process stimulated by technological innovation as well as by significant changes in societal attitudes towards the art
of music itself – changes that were themselves promoted through the medium of print. |
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| ISSN: | 1854-3405 2536-2615 |