Thinking rhythm objects

The focus of this mini-review is on rhythm objects, defined as strongly coherent chunks of combined sound and body motion in music, typically in the duration range of a few seconds, as may for instance be found in a fragment of dance music, in an energetic drum fill, in a flute ornament, or in a cas...

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Main Author: Rolf Inge Godøy
Format: Article
Language:English
Published: Frontiers Media S.A. 2022-07-01
Series:Frontiers in Psychology
Subjects:
Online Access:https://www.frontiersin.org/articles/10.3389/fpsyg.2022.906479/full
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author Rolf Inge Godøy
Rolf Inge Godøy
author_facet Rolf Inge Godøy
Rolf Inge Godøy
author_sort Rolf Inge Godøy
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description The focus of this mini-review is on rhythm objects, defined as strongly coherent chunks of combined sound and body motion in music, typically in the duration range of a few seconds, as may for instance be found in a fragment of dance music, in an energetic drum fill, in a flute ornament, or in a cascade of sounds of a rapid harp glissando. Although there has been much research on rhythm in continuous musical sound and its links with behavior, including the neurocognitive aspects of periodicity, synchrony, and entrainment, there has been much less focus on the generation and perception of singular coherent rhythm objects. This mini-review aims to enhance our understanding of such rhythm objects by pointing to relevant literature on coherence-enhancing elements such as coarticulation, i.e., the fusion of motion events into more extended rhythm objects, and intermittent motor control, i.e., the discontinuous, instant-by-instant control and triggering of rhythm objects.
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spelling doaj.art-14383d90c5914465beed834c750e24832022-12-22T00:57:58ZengFrontiers Media S.A.Frontiers in Psychology1664-10782022-07-011310.3389/fpsyg.2022.906479906479Thinking rhythm objectsRolf Inge Godøy0Rolf Inge Godøy1Department of Musicology, University of Oslo, Oslo, NorwayRITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion, University of Oslo, Oslo, NorwayThe focus of this mini-review is on rhythm objects, defined as strongly coherent chunks of combined sound and body motion in music, typically in the duration range of a few seconds, as may for instance be found in a fragment of dance music, in an energetic drum fill, in a flute ornament, or in a cascade of sounds of a rapid harp glissando. Although there has been much research on rhythm in continuous musical sound and its links with behavior, including the neurocognitive aspects of periodicity, synchrony, and entrainment, there has been much less focus on the generation and perception of singular coherent rhythm objects. This mini-review aims to enhance our understanding of such rhythm objects by pointing to relevant literature on coherence-enhancing elements such as coarticulation, i.e., the fusion of motion events into more extended rhythm objects, and intermittent motor control, i.e., the discontinuous, instant-by-instant control and triggering of rhythm objects.https://www.frontiersin.org/articles/10.3389/fpsyg.2022.906479/fullrhythmmusicobjectsconstraintsintermittencycoherence
spellingShingle Rolf Inge Godøy
Rolf Inge Godøy
Thinking rhythm objects
Frontiers in Psychology
rhythm
music
objects
constraints
intermittency
coherence
title Thinking rhythm objects
title_full Thinking rhythm objects
title_fullStr Thinking rhythm objects
title_full_unstemmed Thinking rhythm objects
title_short Thinking rhythm objects
title_sort thinking rhythm objects
topic rhythm
music
objects
constraints
intermittency
coherence
url https://www.frontiersin.org/articles/10.3389/fpsyg.2022.906479/full
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