Letting Go, Coming Out, and Working Through: Queer <i>Frozen</i>

This article builds on an already established understanding of Disney’s <i>Frozen</i> as a queer text. Following Judith Butler, however, it works against a notion of ‘queer’ that is locatable in the intrinsic truth of plot, imagery, and character, and removed from questions of performanc...

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Main Author: Neil Hayward Cocks
Format: Article
Language:English
Published: MDPI AG 2022-11-01
Series:Humanities
Subjects:
Online Access:https://www.mdpi.com/2076-0787/11/6/146
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author Neil Hayward Cocks
author_facet Neil Hayward Cocks
author_sort Neil Hayward Cocks
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description This article builds on an already established understanding of Disney’s <i>Frozen</i> as a queer text. Following Judith Butler, however, it works against a notion of ‘queer’ that is locatable in the intrinsic truth of plot, imagery, and character, and removed from questions of performance and narration. In taking this approach, and in keeping with the focus of this Special Edition of <i>Humanities</i>, the article undertakes an extensive, fine-grained reading of ‘Let it Go’, the stand-out song from the first <i>Frozen</i> film. Rather than argue for or against the idea that ‘Let it Go’ is a Coming Out song, issues of textual perspective and textual difference are foregrounded in a way that challenges claims to the stability of identity. The pressing question, for this article, is not whether the lead character of <i>Frozen</i> truly is ‘out’, but the possibility of fixing identity in this way, the precise nature of the reversals and antagonisms that being ‘out’ and ‘letting it go’ require in this particular text, and how such determinations might impact on a wider understanding of ‘queer’.
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spelling doaj.art-1458a81ba93e4de09bc6a5acc12e3abe2023-11-24T15:17:06ZengMDPI AGHumanities2076-07872022-11-0111614610.3390/h11060146Letting Go, Coming Out, and Working Through: Queer <i>Frozen</i>Neil Hayward Cocks0Department of English Literature, School of Literature and Languages, University of Reading, Reading RG6 6EL, UKThis article builds on an already established understanding of Disney’s <i>Frozen</i> as a queer text. Following Judith Butler, however, it works against a notion of ‘queer’ that is locatable in the intrinsic truth of plot, imagery, and character, and removed from questions of performance and narration. In taking this approach, and in keeping with the focus of this Special Edition of <i>Humanities</i>, the article undertakes an extensive, fine-grained reading of ‘Let it Go’, the stand-out song from the first <i>Frozen</i> film. Rather than argue for or against the idea that ‘Let it Go’ is a Coming Out song, issues of textual perspective and textual difference are foregrounded in a way that challenges claims to the stability of identity. The pressing question, for this article, is not whether the lead character of <i>Frozen</i> truly is ‘out’, but the possibility of fixing identity in this way, the precise nature of the reversals and antagonisms that being ‘out’ and ‘letting it go’ require in this particular text, and how such determinations might impact on a wider understanding of ‘queer’.https://www.mdpi.com/2076-0787/11/6/146<i>Frozen</i>Let it Goqueercoming outJudith Butlerchildren’s literature
spellingShingle Neil Hayward Cocks
Letting Go, Coming Out, and Working Through: Queer <i>Frozen</i>
Humanities
<i>Frozen</i>
Let it Go
queer
coming out
Judith Butler
children’s literature
title Letting Go, Coming Out, and Working Through: Queer <i>Frozen</i>
title_full Letting Go, Coming Out, and Working Through: Queer <i>Frozen</i>
title_fullStr Letting Go, Coming Out, and Working Through: Queer <i>Frozen</i>
title_full_unstemmed Letting Go, Coming Out, and Working Through: Queer <i>Frozen</i>
title_short Letting Go, Coming Out, and Working Through: Queer <i>Frozen</i>
title_sort letting go coming out and working through queer i frozen i
topic <i>Frozen</i>
Let it Go
queer
coming out
Judith Butler
children’s literature
url https://www.mdpi.com/2076-0787/11/6/146
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