Organizing for the auteur: a dual case study of debut filmmaking

Abstract In this article, the question of the auteur is transferred from film criticism to filmmaking processes in order to analyze how production practices are organized. By doing so, the article shifts the focus from understanding the concept of the auteur from a textual perspective to a sociolog...

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Main Author: Sara Malou Strandvad
Format: Article
Language:Danish
Published: Sammenslutningen af Medieforskere i Danmark (SMID) 2012-08-01
Series:MedieKultur: Journal of Media and Communication Research
Subjects:
Online Access:https://tidsskrift.dk/mediekultur/article/view/5523
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author Sara Malou Strandvad
author_facet Sara Malou Strandvad
author_sort Sara Malou Strandvad
collection DOAJ
description Abstract In this article, the question of the auteur is transferred from film criticism to filmmaking processes in order to analyze how production practices are organized. By doing so, the article shifts the focus from understanding the concept of the auteur from a textual perspective to a sociological analysis, where the concept is understood as a social resource that enables and structures certain kinds of interactions. Accordingly, the article investigates how the ideal of the auteur is invoked in a dual case study of the making of two Danish debut films. In both projects, the directors embody the motif of the project and the auteur notion thereby comes to be activated as an organizing device. The analysis shows that putting the auteur notion to use to organize the making of films has various consequences, not all of which are intended and beneficial.
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spelling doaj.art-146ad1b9adb6452e93df489744506e0d2022-12-21T23:03:05ZdanSammenslutningen af Medieforskere i Danmark (SMID)MedieKultur: Journal of Media and Communication Research0900-96711901-97262012-08-01285310.7146/mediekultur.v28i53.55236430Organizing for the auteur: a dual case study of debut filmmakingSara Malou Strandvad0Roskilde UniversityAbstract In this article, the question of the auteur is transferred from film criticism to filmmaking processes in order to analyze how production practices are organized. By doing so, the article shifts the focus from understanding the concept of the auteur from a textual perspective to a sociological analysis, where the concept is understood as a social resource that enables and structures certain kinds of interactions. Accordingly, the article investigates how the ideal of the auteur is invoked in a dual case study of the making of two Danish debut films. In both projects, the directors embody the motif of the project and the auteur notion thereby comes to be activated as an organizing device. The analysis shows that putting the auteur notion to use to organize the making of films has various consequences, not all of which are intended and beneficial.https://tidsskrift.dk/mediekultur/article/view/5523auteurism, production studies, organization, collaboration
spellingShingle Sara Malou Strandvad
Organizing for the auteur: a dual case study of debut filmmaking
MedieKultur: Journal of Media and Communication Research
auteurism, production studies, organization, collaboration
title Organizing for the auteur: a dual case study of debut filmmaking
title_full Organizing for the auteur: a dual case study of debut filmmaking
title_fullStr Organizing for the auteur: a dual case study of debut filmmaking
title_full_unstemmed Organizing for the auteur: a dual case study of debut filmmaking
title_short Organizing for the auteur: a dual case study of debut filmmaking
title_sort organizing for the auteur a dual case study of debut filmmaking
topic auteurism, production studies, organization, collaboration
url https://tidsskrift.dk/mediekultur/article/view/5523
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