Reading Like A Replicant: Blade Runner 2049, Pale Fire, and the Archival Embodiment of Literature

If androids dream of electric sheep, do replicants read analog novels? In the dystopian sci-fi world of Blade Runner 2049 (2017), literature plays a complex role. In particular, the film engages in a multi-leveled way with Vladimir Nabokov's novel Pale Fire (1962). A hardcover copy of the book...

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Main Author: Lee Campbell
Format: Article
Language:English
Published: University of Alberta 2023-12-01
Series:Imaginations: Journal of Cross-Cultural Media Studies
Online Access:https://imaginationsjournal.ca/index.php/imaginations/article/view/29695
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author Lee Campbell
author_facet Lee Campbell
author_sort Lee Campbell
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description If androids dream of electric sheep, do replicants read analog novels? In the dystopian sci-fi world of Blade Runner 2049 (2017), literature plays a complex role. In particular, the film engages in a multi-leveled way with Vladimir Nabokov's novel Pale Fire (1962). A hardcover copy of the book appears in one scene, and it is quoted and covertly referenced in others. These appearances are like metafictive keys to a pattern of possible meanings, through which the film both embodies and reflects upon its method of archival replication. Translating between codex, screen, and holographic media, the film reanimates its source materials, dramatises the affinity between literary texts and embodied life, and suggests that literature may be a vector of resistance to techno-capitalist archival control.
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spelling doaj.art-1475ae194a76401fb1762be1b5f1d4762023-12-22T06:52:08ZengUniversity of AlbertaImaginations: Journal of Cross-Cultural Media Studies1918-84392023-12-0114210.17742/IMAGE29695Reading Like A Replicant: Blade Runner 2049, Pale Fire, and the Archival Embodiment of LiteratureLee Campbell If androids dream of electric sheep, do replicants read analog novels? In the dystopian sci-fi world of Blade Runner 2049 (2017), literature plays a complex role. In particular, the film engages in a multi-leveled way with Vladimir Nabokov's novel Pale Fire (1962). A hardcover copy of the book appears in one scene, and it is quoted and covertly referenced in others. These appearances are like metafictive keys to a pattern of possible meanings, through which the film both embodies and reflects upon its method of archival replication. Translating between codex, screen, and holographic media, the film reanimates its source materials, dramatises the affinity between literary texts and embodied life, and suggests that literature may be a vector of resistance to techno-capitalist archival control. https://imaginationsjournal.ca/index.php/imaginations/article/view/29695
spellingShingle Lee Campbell
Reading Like A Replicant: Blade Runner 2049, Pale Fire, and the Archival Embodiment of Literature
Imaginations: Journal of Cross-Cultural Media Studies
title Reading Like A Replicant: Blade Runner 2049, Pale Fire, and the Archival Embodiment of Literature
title_full Reading Like A Replicant: Blade Runner 2049, Pale Fire, and the Archival Embodiment of Literature
title_fullStr Reading Like A Replicant: Blade Runner 2049, Pale Fire, and the Archival Embodiment of Literature
title_full_unstemmed Reading Like A Replicant: Blade Runner 2049, Pale Fire, and the Archival Embodiment of Literature
title_short Reading Like A Replicant: Blade Runner 2049, Pale Fire, and the Archival Embodiment of Literature
title_sort reading like a replicant blade runner 2049 pale fire and the archival embodiment of literature
url https://imaginationsjournal.ca/index.php/imaginations/article/view/29695
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