Africa on the Moon: The Complexities of an Afrofuturist Reading of Dub

This article attempts a detailed and specific analysis of the music and the mythology of Lee “Scratch” Perry and other key figures and works in dub, in relation to Afrofuturist thought and the music, theory and philosophy of Sun Ra in particular. It discovers at every turn multiple layers of complic...

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Main Author: John Vaughan Harries
Format: Article
Language:English
Published: University of Huddersfield, Department of Music 2015-11-01
Series:Dancecult: Journal of Electronic Dance Music Culture
Subjects:
Online Access:https://dj.dancecult.net/index.php/dancecult/article/view/681
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author John Vaughan Harries
author_facet John Vaughan Harries
author_sort John Vaughan Harries
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description This article attempts a detailed and specific analysis of the music and the mythology of Lee “Scratch” Perry and other key figures and works in dub, in relation to Afrofuturist thought and the music, theory and philosophy of Sun Ra in particular. It discovers at every turn multiple layers of complication, points of disjuncture as well as confluence, but argues that we can identify complicity and hybridity between these forms and their key protagonists without reducing their distinctiveness or specificity. By viewing dub through an Afrofuturist lens, the article aims to illuminate aspects of dub that would otherwise remain hidden, allowing that here, as in the development and diversification of the musics themselves, the revelatory relationship may be reciprocal.
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spelling doaj.art-148f4e9b16324cf9bbcdb358a0b348022023-01-02T01:56:46ZengUniversity of Huddersfield, Department of MusicDancecult: Journal of Electronic Dance Music Culture1947-54032015-11-01724363542Africa on the Moon: The Complexities of an Afrofuturist Reading of DubJohn Vaughan Harries0Goldsmiths, University of LondonThis article attempts a detailed and specific analysis of the music and the mythology of Lee “Scratch” Perry and other key figures and works in dub, in relation to Afrofuturist thought and the music, theory and philosophy of Sun Ra in particular. It discovers at every turn multiple layers of complication, points of disjuncture as well as confluence, but argues that we can identify complicity and hybridity between these forms and their key protagonists without reducing their distinctiveness or specificity. By viewing dub through an Afrofuturist lens, the article aims to illuminate aspects of dub that would otherwise remain hidden, allowing that here, as in the development and diversification of the musics themselves, the revelatory relationship may be reciprocal.https://dj.dancecult.net/index.php/dancecult/article/view/681Afrofuturismdub
spellingShingle John Vaughan Harries
Africa on the Moon: The Complexities of an Afrofuturist Reading of Dub
Dancecult: Journal of Electronic Dance Music Culture
Afrofuturism
dub
title Africa on the Moon: The Complexities of an Afrofuturist Reading of Dub
title_full Africa on the Moon: The Complexities of an Afrofuturist Reading of Dub
title_fullStr Africa on the Moon: The Complexities of an Afrofuturist Reading of Dub
title_full_unstemmed Africa on the Moon: The Complexities of an Afrofuturist Reading of Dub
title_short Africa on the Moon: The Complexities of an Afrofuturist Reading of Dub
title_sort africa on the moon the complexities of an afrofuturist reading of dub
topic Afrofuturism
dub
url https://dj.dancecult.net/index.php/dancecult/article/view/681
work_keys_str_mv AT johnvaughanharries africaonthemoonthecomplexitiesofanafrofuturistreadingofdub