Russian Literature in Japanese Film: Cross-cultural Adaptations in the Silent Era
Since the beginning of the film industry in Japan, many short films and movies based on Western literary works were made, especially during the 1910s and 1920s. Several of those films were based on fashionable Russian literary works that had been staged in Shingeki (new drama) theaters. This study...
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| Format: | Article |
| Language: | English |
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Facultad de Filosofía y Letras, Universidad Nacional Autónoma de México (UNAM)
2023-09-01
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| Series: | Nuevas Poligrafías, Revista de Teoría Literaria y Literatura Comparada |
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| Online Access: | http://revistas.filos.unam.mx/index.php/nuevaspoligrafias/article/view/1893 |
| _version_ | 1797677867760353280 |
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| author | Alex Pinar |
| author_facet | Alex Pinar |
| author_sort | Alex Pinar |
| collection | DOAJ |
| description |
Since the beginning of the film industry in Japan, many short films and movies based on Western literary works were made, especially during the 1910s and 1920s. Several of those films were based on fashionable Russian literary works that had been staged in Shingeki (new drama) theaters. This study examines the adaptations of Russian literature produced from the early 1910s until the end of the silent-film era in the 1930s, focusing specifically on films based on Tolstoy’s novel Resurrection, the drama The Living Corpse, and Gorky’s play The Lower Depths. It is shown that the early adaptations, filmed in the 1910s, aimed to closely adhere to the original literary works by maintaining key plot events and recreating the cultural milieu through sets, costumes, and staging. However, starting from the 1920s, adaptations followed intercultural and intertextual processes, freely modifying the works to suit the Japanese cultural context. This shift in the approach to adapting Western literary works was influenced by the social, political, and cultural changes experienced by the country during those decades.
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| first_indexed | 2024-03-11T22:51:22Z |
| format | Article |
| id | doaj.art-14a94c26d8f4442ba11d0948cddb40d5 |
| institution | Directory Open Access Journal |
| issn | 2954-4076 |
| language | English |
| last_indexed | 2024-03-11T22:51:22Z |
| publishDate | 2023-09-01 |
| publisher | Facultad de Filosofía y Letras, Universidad Nacional Autónoma de México (UNAM) |
| record_format | Article |
| series | Nuevas Poligrafías, Revista de Teoría Literaria y Literatura Comparada |
| spelling | doaj.art-14a94c26d8f4442ba11d0948cddb40d52023-09-22T01:30:54ZengFacultad de Filosofía y Letras, Universidad Nacional Autónoma de México (UNAM)Nuevas Poligrafías, Revista de Teoría Literaria y Literatura Comparada2954-40762023-09-01810.22201/ffyl.29544076.2023.8.1893Russian Literature in Japanese Film: Cross-cultural Adaptations in the Silent EraAlex Pinar Since the beginning of the film industry in Japan, many short films and movies based on Western literary works were made, especially during the 1910s and 1920s. Several of those films were based on fashionable Russian literary works that had been staged in Shingeki (new drama) theaters. This study examines the adaptations of Russian literature produced from the early 1910s until the end of the silent-film era in the 1930s, focusing specifically on films based on Tolstoy’s novel Resurrection, the drama The Living Corpse, and Gorky’s play The Lower Depths. It is shown that the early adaptations, filmed in the 1910s, aimed to closely adhere to the original literary works by maintaining key plot events and recreating the cultural milieu through sets, costumes, and staging. However, starting from the 1920s, adaptations followed intercultural and intertextual processes, freely modifying the works to suit the Japanese cultural context. This shift in the approach to adapting Western literary works was influenced by the social, political, and cultural changes experienced by the country during those decades. http://revistas.filos.unam.mx/index.php/nuevaspoligrafias/article/view/1893Japanese filmRussian literatureMotion pictures and literatureIntertextualitySilent filmsForeign movies |
| spellingShingle | Alex Pinar Russian Literature in Japanese Film: Cross-cultural Adaptations in the Silent Era Nuevas Poligrafías, Revista de Teoría Literaria y Literatura Comparada Japanese film Russian literature Motion pictures and literature Intertextuality Silent films Foreign movies |
| title | Russian Literature in Japanese Film: Cross-cultural Adaptations in the Silent Era |
| title_full | Russian Literature in Japanese Film: Cross-cultural Adaptations in the Silent Era |
| title_fullStr | Russian Literature in Japanese Film: Cross-cultural Adaptations in the Silent Era |
| title_full_unstemmed | Russian Literature in Japanese Film: Cross-cultural Adaptations in the Silent Era |
| title_short | Russian Literature in Japanese Film: Cross-cultural Adaptations in the Silent Era |
| title_sort | russian literature in japanese film cross cultural adaptations in the silent era |
| topic | Japanese film Russian literature Motion pictures and literature Intertextuality Silent films Foreign movies |
| url | http://revistas.filos.unam.mx/index.php/nuevaspoligrafias/article/view/1893 |
| work_keys_str_mv | AT alexpinar russianliteratureinjapanesefilmcrossculturaladaptationsinthesilentera |