Before the dawn, the night. Filippo Panseca, pioneer of digital art

The essay aims to read the work of Filippo Panseca. Panseca, today an unknown name to most, was a protagonist of the contemporary art world from the 1960s onwards, opening a reflection on technological languages. Panseca began experimenting with digital technologies as early as 1975 when, together w...

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Main Author: Valentino Catricalà
Format: Article
Language:English
Published: University of Bologna 2023-01-01
Series:piano b
Subjects:
Online Access:https://pianob.unibo.it/article/view/16343
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author Valentino Catricalà
author_facet Valentino Catricalà
author_sort Valentino Catricalà
collection DOAJ
description The essay aims to read the work of Filippo Panseca. Panseca, today an unknown name to most, was a protagonist of the contemporary art world from the 1960s onwards, opening a reflection on technological languages. Panseca began experimenting with digital technologies as early as 1975 when, together with the critic Pierre Restany, he created the first satellite work, sending a work of art via satellite from New York to Milan. At the end of the 70s, Panseca made the first digital portraits in San Francisco, to then continue throughout the 80s, both in the artistic and political fields (Panseca was the architect of the sets of the Socialist party in the 1980s). In the 1980s Panseca created many works with computers, among which we highlight SWART, the machine that creates works of art, a system created by the artist himself with engineers to produce automatic limited edition works of art. However, Panseca's art must be contextualized in the particular artistic climate of the seventies and eighties, also linked to the experimentation of new media and the incorporation of technologies within artistic practices.
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spelling doaj.art-1531e3f19030407698edd08609823d242023-01-27T11:27:31ZengUniversity of Bolognapiano b2531-98762023-01-01729311310.6092/issn.2531-9876/1634314696Before the dawn, the night. Filippo Panseca, pioneer of digital artValentino Catricalà0IULM, MilanoThe essay aims to read the work of Filippo Panseca. Panseca, today an unknown name to most, was a protagonist of the contemporary art world from the 1960s onwards, opening a reflection on technological languages. Panseca began experimenting with digital technologies as early as 1975 when, together with the critic Pierre Restany, he created the first satellite work, sending a work of art via satellite from New York to Milan. At the end of the 70s, Panseca made the first digital portraits in San Francisco, to then continue throughout the 80s, both in the artistic and political fields (Panseca was the architect of the sets of the Socialist party in the 1980s). In the 1980s Panseca created many works with computers, among which we highlight SWART, the machine that creates works of art, a system created by the artist himself with engineers to produce automatic limited edition works of art. However, Panseca's art must be contextualized in the particular artistic climate of the seventies and eighties, also linked to the experimentation of new media and the incorporation of technologies within artistic practices.https://pianob.unibo.it/article/view/16343digital artcontemporary artfilippo pansecapierre restanysatellite art
spellingShingle Valentino Catricalà
Before the dawn, the night. Filippo Panseca, pioneer of digital art
piano b
digital art
contemporary art
filippo panseca
pierre restany
satellite art
title Before the dawn, the night. Filippo Panseca, pioneer of digital art
title_full Before the dawn, the night. Filippo Panseca, pioneer of digital art
title_fullStr Before the dawn, the night. Filippo Panseca, pioneer of digital art
title_full_unstemmed Before the dawn, the night. Filippo Panseca, pioneer of digital art
title_short Before the dawn, the night. Filippo Panseca, pioneer of digital art
title_sort before the dawn the night filippo panseca pioneer of digital art
topic digital art
contemporary art
filippo panseca
pierre restany
satellite art
url https://pianob.unibo.it/article/view/16343
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