Versions of the river in Aguafuertes porteñas by Roberto Arlt

The proposal of this article is to study how in the big corpus of the notes titled “Aguafuertes porteñas” by Roberto Arlt there appears a series of chronicles dedicated to the coast of the River Río de la Plata. To do this, we will observe the way in which the images of the river that the chronicler...

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Main Author: Pilar María Cimadevilla
Format: Article
Language:Spanish
Published: Universidad Nacional de Mar del Plata 2019-07-01
Series:Estudios de Teoría Literaria
Subjects:
Online Access:http://fh.mdp.edu.ar/revistas/index.php/etl/article/view/2699
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author Pilar María Cimadevilla
author_facet Pilar María Cimadevilla
author_sort Pilar María Cimadevilla
collection DOAJ
description The proposal of this article is to study how in the big corpus of the notes titled “Aguafuertes porteñas” by Roberto Arlt there appears a series of chronicles dedicated to the coast of the River Río de la Plata. To do this, we will observe the way in which the images of the river that the chronicler configures in his texts respond to two different types of modulations of space that, at times, intersect: the picturesque river and the river associated with the world of harbor work. We will study these two views on the riverbank and analyze how these coastal landscapes interact with the work of two of the artists of the time who inserted the Río de la Plata as the protagonist of their productions and which are also mentioned explicitly in the work of Arlt: Raúl González Tuñón and Benito Quinquela Martín.
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spelling doaj.art-1570ad1f39554197a0892bc1df1cc7002022-12-21T20:19:14ZspaUniversidad Nacional de Mar del PlataEstudios de Teoría Literaria2313-96762019-07-0181683992209Versions of the river in Aguafuertes porteñas by Roberto ArltPilar María Cimadevilla0Instituto de Investigaciones en Humanidades y Ciencias Sociales (UNLP- CONICET)The proposal of this article is to study how in the big corpus of the notes titled “Aguafuertes porteñas” by Roberto Arlt there appears a series of chronicles dedicated to the coast of the River Río de la Plata. To do this, we will observe the way in which the images of the river that the chronicler configures in his texts respond to two different types of modulations of space that, at times, intersect: the picturesque river and the river associated with the world of harbor work. We will study these two views on the riverbank and analyze how these coastal landscapes interact with the work of two of the artists of the time who inserted the Río de la Plata as the protagonist of their productions and which are also mentioned explicitly in the work of Arlt: Raúl González Tuñón and Benito Quinquela Martín.http://fh.mdp.edu.ar/revistas/index.php/etl/article/view/2699Arlt“Aguafuertes porteñas”crónicapaisajepintura
spellingShingle Pilar María Cimadevilla
Versions of the river in Aguafuertes porteñas by Roberto Arlt
Estudios de Teoría Literaria
Arlt
“Aguafuertes porteñas”
crónica
paisaje
pintura
title Versions of the river in Aguafuertes porteñas by Roberto Arlt
title_full Versions of the river in Aguafuertes porteñas by Roberto Arlt
title_fullStr Versions of the river in Aguafuertes porteñas by Roberto Arlt
title_full_unstemmed Versions of the river in Aguafuertes porteñas by Roberto Arlt
title_short Versions of the river in Aguafuertes porteñas by Roberto Arlt
title_sort versions of the river in aguafuertes portenas by roberto arlt
topic Arlt
“Aguafuertes porteñas”
crónica
paisaje
pintura
url http://fh.mdp.edu.ar/revistas/index.php/etl/article/view/2699
work_keys_str_mv AT pilarmariacimadevilla versionsoftheriverinaguafuertesportenasbyrobertoarlt