The Monstrous Mark of Cinema: Mulholland Drive, Spherology, and the “Virtual Space” of Filmic Fiction
This article interprets David Lynch's Mulholland Drive (2001) to argue for the morphological influence cinematic images have on modernity's monstrous identity. It shows how Lynch's tactic of interweaving apparently discrete spaces of dream and reality – one often inverting or uncannil...
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| Format: | Article |
| Language: | English |
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Edinburgh University Press
2023-10-01
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| Series: | Film-Philosophy |
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| Online Access: | https://www.euppublishing.com/doi/10.3366/film.2023.0246 |