Presence of the Primitive at the 9th Bienal de São Paulo
The presence of so-called “primitive” or “innocent” artists at the 9th Bienal de São Paulo (1967), within the vocabulary of popular art, was marked by frank and open public debate between the selection jury of the event and the critics of the time. This article seeks to present this debate, which i...
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| Format: | Article |
| Language: | English |
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OBOE On Biennials and Other Exhibitions Associazione Culturale
2023-12-01
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| Series: | OBOE |
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| Online Access: | https://www.oboejournal.com/index.php/oboe/article/view/56 |