Homage or Biting Lines: Critically Discussing Authorship, Creativity, and Copyright in the 21st Century through Hip-Hop

The inherent traits of digital media have challenged traditional understandings of artistic authorship and creativity. This division in understanding can clearly be observed in the popular culture context of hip-hop music. Hip-hop initially began with analog technologies such as vinyl record players...

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Main Author: Nicholas Leonard
Format: Article
Language:English
Published: MDPI AG 2018-11-01
Series:Arts
Subjects:
Online Access:https://www.mdpi.com/2076-0752/7/4/86
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author Nicholas Leonard
author_facet Nicholas Leonard
author_sort Nicholas Leonard
collection DOAJ
description The inherent traits of digital media have challenged traditional understandings of artistic authorship and creativity. This division in understanding can clearly be observed in the popular culture context of hip-hop music. Hip-hop initially began with analog technologies such as vinyl record players, then transitioned to predominately digital mediums. This changeover in artistic mediums has been well documented by opposing viewpoints from hip-hop artists, consumers, record companies, and lawyers. By focusing on hip-hop for critical discussion on artistic authorship and creativity, art students can engage in discussion reflecting on their own artistic and online practices, and how these behaviors are legally supported or suppressed by copyright law.
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spelling doaj.art-15f6da514c0c4161ae335082ec76a11f2022-12-21T20:04:44ZengMDPI AGArts2076-07522018-11-01748610.3390/arts7040086arts7040086Homage or Biting Lines: Critically Discussing Authorship, Creativity, and Copyright in the 21st Century through Hip-HopNicholas Leonard0Department of Art and Design Education, Northern Illinois University, DeKalb, IL 60115, USAThe inherent traits of digital media have challenged traditional understandings of artistic authorship and creativity. This division in understanding can clearly be observed in the popular culture context of hip-hop music. Hip-hop initially began with analog technologies such as vinyl record players, then transitioned to predominately digital mediums. This changeover in artistic mediums has been well documented by opposing viewpoints from hip-hop artists, consumers, record companies, and lawyers. By focusing on hip-hop for critical discussion on artistic authorship and creativity, art students can engage in discussion reflecting on their own artistic and online practices, and how these behaviors are legally supported or suppressed by copyright law.https://www.mdpi.com/2076-0752/7/4/86authorshipcreativityhip-hopcopyrightcopylefttechnology
spellingShingle Nicholas Leonard
Homage or Biting Lines: Critically Discussing Authorship, Creativity, and Copyright in the 21st Century through Hip-Hop
Arts
authorship
creativity
hip-hop
copyright
copyleft
technology
title Homage or Biting Lines: Critically Discussing Authorship, Creativity, and Copyright in the 21st Century through Hip-Hop
title_full Homage or Biting Lines: Critically Discussing Authorship, Creativity, and Copyright in the 21st Century through Hip-Hop
title_fullStr Homage or Biting Lines: Critically Discussing Authorship, Creativity, and Copyright in the 21st Century through Hip-Hop
title_full_unstemmed Homage or Biting Lines: Critically Discussing Authorship, Creativity, and Copyright in the 21st Century through Hip-Hop
title_short Homage or Biting Lines: Critically Discussing Authorship, Creativity, and Copyright in the 21st Century through Hip-Hop
title_sort homage or biting lines critically discussing authorship creativity and copyright in the 21st century through hip hop
topic authorship
creativity
hip-hop
copyright
copyleft
technology
url https://www.mdpi.com/2076-0752/7/4/86
work_keys_str_mv AT nicholasleonard homageorbitinglinescriticallydiscussingauthorshipcreativityandcopyrightinthe21stcenturythroughhiphop