Los que son y no son: percorsi di identità (so)nate nella Cuba della seconda metà del XIX secolo e inizi del XX
The son is configured into the orbit of Cuban popular music as the mulatto music genre par excellence, thanks to the amalgam of musical elements and structural features of Spanish and African origins. In its heyday - when are defined new modes of interpretation and new sonic possibilities - shares...
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Format: | Article |
Language: | English |
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Milano University Press
2011-11-01
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Series: | Altre Modernità |
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Online Access: | https://riviste.unimi.it/index.php/AMonline/article/view/1548 |
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author | Irene Campagna |
author_facet | Irene Campagna |
author_sort | Irene Campagna |
collection | DOAJ |
description | The son is configured into the orbit of Cuban popular music as the mulatto music genre par excellence, thanks to the amalgam of musical elements and structural features of Spanish and African origins.
In its heyday - when are defined new modes of interpretation and new sonic possibilities - shares political and cultural unrest of vanguards that, through the recognition of the African component, try to build a coherent concept of nation, highlighting the contribution of black people to cultural and political processes. This work is based on the hypotheses suggested in some cuban studies recently published, about the causal relationship between the son’s development and the shape of national identity in the period of the Wars of Independence, to come to find through the thematic analysis of representative texts the genre's functioning within this perspective. |
first_indexed | 2024-03-12T10:43:19Z |
format | Article |
id | doaj.art-160f2792c5c24bb58a4afdcb59d80374 |
institution | Directory Open Access Journal |
issn | 2035-7680 |
language | English |
last_indexed | 2024-03-12T10:43:19Z |
publishDate | 2011-11-01 |
publisher | Milano University Press |
record_format | Article |
series | Altre Modernità |
spelling | doaj.art-160f2792c5c24bb58a4afdcb59d803742023-09-02T07:51:12ZengMilano University PressAltre Modernità2035-76802011-11-0106405310.13130/2035-7680/15481440Los que son y no son: percorsi di identità (so)nate nella Cuba della seconda metà del XIX secolo e inizi del XXIrene Campagna0Università degli Studi di Napoli “L’Orientale”The son is configured into the orbit of Cuban popular music as the mulatto music genre par excellence, thanks to the amalgam of musical elements and structural features of Spanish and African origins. In its heyday - when are defined new modes of interpretation and new sonic possibilities - shares political and cultural unrest of vanguards that, through the recognition of the African component, try to build a coherent concept of nation, highlighting the contribution of black people to cultural and political processes. This work is based on the hypotheses suggested in some cuban studies recently published, about the causal relationship between the son’s development and the shape of national identity in the period of the Wars of Independence, to come to find through the thematic analysis of representative texts the genre's functioning within this perspective.https://riviste.unimi.it/index.php/AMonline/article/view/1548SonMusicCubaIdentityIndependenceNationalitySugarSlaveryCoplaEstribilloCommunicationAfrocubanTransculturación |
spellingShingle | Irene Campagna Los que son y no son: percorsi di identità (so)nate nella Cuba della seconda metà del XIX secolo e inizi del XX Altre Modernità Son Music Cuba Identity Independence Nationality Sugar Slavery Copla Estribillo Communication Afrocuban Transculturación |
title | Los que son y no son: percorsi di identità (so)nate nella Cuba della seconda metà del XIX secolo e inizi del XX |
title_full | Los que son y no son: percorsi di identità (so)nate nella Cuba della seconda metà del XIX secolo e inizi del XX |
title_fullStr | Los que son y no son: percorsi di identità (so)nate nella Cuba della seconda metà del XIX secolo e inizi del XX |
title_full_unstemmed | Los que son y no son: percorsi di identità (so)nate nella Cuba della seconda metà del XIX secolo e inizi del XX |
title_short | Los que son y no son: percorsi di identità (so)nate nella Cuba della seconda metà del XIX secolo e inizi del XX |
title_sort | los que son y no son percorsi di identita so nate nella cuba della seconda meta del xix secolo e inizi del xx |
topic | Son Music Cuba Identity Independence Nationality Sugar Slavery Copla Estribillo Communication Afrocuban Transculturación |
url | https://riviste.unimi.it/index.php/AMonline/article/view/1548 |
work_keys_str_mv | AT irenecampagna losquesonynosonpercorsidiidentitasonatenellacubadellasecondametadelxixsecoloeinizidelxx |