A sedução libertina como arte do equívoco em Crébillon e Laclos
Considering all literary texts about libertinage, from Ovid to nowadays, Claude Crébillon and Laclos are surely amongst those who treated with more wit the issue of Eros’ ambiguous language. Within the closed and policed universe where theirs characters circulate, a vanity fair as refined as cruel,...
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| Format: | Article |
| Language: | English |
| Published: |
Association Portugaise d'Etudes Françaises
2010-01-01
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| Series: | Carnets |
| Subjects: | |
| Online Access: | http://journals.openedition.org/carnets/4562 |
| _version_ | 1818544593114759168 |
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| author | Ana Alexandra Seabra De Carvalho |
| author_facet | Ana Alexandra Seabra De Carvalho |
| author_sort | Ana Alexandra Seabra De Carvalho |
| collection | DOAJ |
| description | Considering all literary texts about libertinage, from Ovid to nowadays, Claude Crébillon and Laclos are surely amongst those who treated with more wit the issue of Eros’ ambiguous language. Within the closed and policed universe where theirs characters circulate, a vanity fair as refined as cruel, words’ double meaning, when not detected in time or when misinterpreted, can lead the incautious victim to a mise à mort, even when it is merely a moral and social death. As a strategic ceremonial, seduction appears as a dual and agonistic relation with the purpose to defeat/ to conquer the object of desire, sometimes in a violent way, and the seducer uses all means at hand. As an essentially strategic discourse, seduction makes use of a linguistic and rhetorical code that conceals libertine’s real intentions under the mask of the language of love. |
| first_indexed | 2024-12-11T22:50:31Z |
| format | Article |
| id | doaj.art-16145f1080334d898b32eb36b19d3fd1 |
| institution | Directory Open Access Journal |
| issn | 1646-7698 |
| language | English |
| last_indexed | 2024-12-11T22:50:31Z |
| publishDate | 2010-01-01 |
| publisher | Association Portugaise d'Etudes Françaises |
| record_format | Article |
| series | Carnets |
| spelling | doaj.art-16145f1080334d898b32eb36b19d3fd12022-12-22T00:47:28ZengAssociation Portugaise d'Etudes FrançaisesCarnets1646-76982010-01-012597910.4000/carnets.4562A sedução libertina como arte do equívoco em Crébillon e LaclosAna Alexandra Seabra De CarvalhoConsidering all literary texts about libertinage, from Ovid to nowadays, Claude Crébillon and Laclos are surely amongst those who treated with more wit the issue of Eros’ ambiguous language. Within the closed and policed universe where theirs characters circulate, a vanity fair as refined as cruel, words’ double meaning, when not detected in time or when misinterpreted, can lead the incautious victim to a mise à mort, even when it is merely a moral and social death. As a strategic ceremonial, seduction appears as a dual and agonistic relation with the purpose to defeat/ to conquer the object of desire, sometimes in a violent way, and the seducer uses all means at hand. As an essentially strategic discourse, seduction makes use of a linguistic and rhetorical code that conceals libertine’s real intentions under the mask of the language of love.http://journals.openedition.org/carnets/4562Libertine SeductionEquivocationCrébillonLaclos |
| spellingShingle | Ana Alexandra Seabra De Carvalho A sedução libertina como arte do equívoco em Crébillon e Laclos Carnets Libertine Seduction Equivocation Crébillon Laclos |
| title | A sedução libertina como arte do equívoco em Crébillon e Laclos |
| title_full | A sedução libertina como arte do equívoco em Crébillon e Laclos |
| title_fullStr | A sedução libertina como arte do equívoco em Crébillon e Laclos |
| title_full_unstemmed | A sedução libertina como arte do equívoco em Crébillon e Laclos |
| title_short | A sedução libertina como arte do equívoco em Crébillon e Laclos |
| title_sort | seducao libertina como arte do equivoco em crebillon e laclos |
| topic | Libertine Seduction Equivocation Crébillon Laclos |
| url | http://journals.openedition.org/carnets/4562 |
| work_keys_str_mv | AT anaalexandraseabradecarvalho aseducaolibertinacomoartedoequivocoemcrebillonelaclos AT anaalexandraseabradecarvalho seducaolibertinacomoartedoequivocoemcrebillonelaclos |