La disolución de lo clásico en el Relativismo del gusto
Certainly the classic or, if one prefers, classicism is one of those categories that we think can be defined easily a long as no one asks us to do so. When this occurs, we realize the enormous ambiguities in its denominations, as well as in the references so designated. This terminology tends to be...
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| Format: | Article |
| Language: | English |
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Universidad Complutense de Madrid
2008-10-01
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| Series: | Anales de Historia del Arte |
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| Online Access: | http://revistasculturales.ucm.es/index.php/ANHA/article/view/32140 |
| Summary: | Certainly the classic or, if one prefers, classicism is one of those categories that we think can be defined easily a long as no one asks us to do so. When this occurs, we realize the enormous ambiguities in its denominations, as well as in the references so designated. This terminology tends to be associated with the surrounding discourse of knowledge which in one way or another appears related to the logos and an objectifiable order or secluded in the narrowest circuits of the arts and aesthetics. |
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| ISSN: | 0214-6452 1988-2491 |