Struggles on Two Indivisible Fronts Godard, Dziga Vertov Group and the Ethical Predicaments of Post-1968 French Maoism
With reference to the historical trajectory of modern French cinema, the Mao- leaning period (1967-1972) of Jean-Luc Godard under the collective spell of the Groupe Dziga Vertov (Dziga Vertov group, or DVG in short) was often a controversial and divisive subject among his critics and commen...
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| Format: | Article |
| Language: | English |
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Milano University Press
2018-03-01
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| Series: | Cinéma & Cie |
| Online Access: | https://riviste.unimi.it/index.php/cinemaetcie/article/view/16580 |