TRADISI PENCULIKAN PENGANTIN PEREMPUAN DALAM FILM ALAA KACHUU: REPRESENTASI KETIDAKSETARAAN GENDER DI KIRGIZSTAN
This research investigates how two movies, both entitled Ala Kachuu (2018 and 2002), represent ala kachuu, i.e. a tradition of bride kidnapping in Kyrgyzstan. Even though the Kyrgyz government has formally banned this practice since 2016, which is considered as a form of forced marriage, it still ex...
| Main Authors: | , |
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| Format: | Article |
| Language: | English |
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Faculty of Humanities, Universitas Indonesia
2023-08-01
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| Series: | Paradigma: Jurnal Kajian Budaya |
| Subjects: | |
| Online Access: | https://scholarhub.ui.ac.id/paradigma/vol13/iss2/10/ |
| Summary: | This research investigates how two movies, both entitled Ala Kachuu (2018 and 2002), represent ala kachuu, i.e. a tradition of bride kidnapping in Kyrgyzstan. Even though the Kyrgyz government has formally banned this practice since 2016, which is considered as a form of forced marriage, it still exists and is practiced by some Kyrgyz. This research used the qualitative method coupled with the mise-en-scène cinematographic technique. By using Stuart Hall’s representation theory (1997) and Mansour Fakih’s gender inequality theory (2008) as analysis tools, this study concludes that both movies represent ala kachuu as a tradition which promotes gender inequality. Moreover, they also represent it as a tradition that leads to various forms of violence against women in Kyrgyzstan. |
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| ISSN: | 2503-0868 2087-6017 |