Unoriginal Opinions of an Original Man: Jorge Luis Borges’s Views on Race and Brazilian People in His Conversations with Adolfo Bioy Casares and His Literary Works

This article analyzes Jorge Luis Borges’s views on race, as he expressed them in personal conversations with Adolfo Bioy Casares and vis-à-vis his fiction. In the conversations recorded by Bioy Casares, Borges emerges as a man of his time and his social class in the worst sense possible: racism, big...

Full description

Bibliographic Details
Main Author: Marcelo Mendes de Souza
Format: Article
Language:English
Published: Cambridge University Press 2021-09-01
Series:Latin American Research Review
Online Access:https://larrlasa.org/articles/1073
Description
Summary:This article analyzes Jorge Luis Borges’s views on race, as he expressed them in personal conversations with Adolfo Bioy Casares and vis-à-vis his fiction. In the conversations recorded by Bioy Casares, Borges emerges as a man of his time and his social class in the worst sense possible: racism, bigotry, and his self-constructed whiteness inform almost all of his controversial statements on blackness and on Brazilian people. The article aims to expose a cohesive racial discourse underlying not only Borges’s private conversations but also his narratives. The goal is to challenge the enduring views of Borges as a “universal” author, dissociated from history and society.   Resumen Este artículo analiza la mirada sobre el concepto de raza que Jorge Luis Borges expresa en sus conversaciones personales con Adolfo Bioy Casares frente a lo manifestado por este autor en su obra de ficción. En las conversaciones grabadas por Bioy Casares, Borges manifiesta los prejuicios propios de un hombre de su tiempo y de su estrato social. Así, el racismo, la intolerancia y la posición de superioridad desde una auto-concebida albura atraviesa casi todas sus controversiales declaraciones sobre negritud y el pueblo brasilero. Este ensayo expone un cohesionado discurso racial que subyace, no solo en las conversaciones privadas de Borges, sino también en su narrativa. El propósito es desafiar las perdurables descripciones de Borges como autor ‘universal’ disociado de la historia y de lo social.
ISSN:1542-4278