Voir et dessiner la Grande Guerre : carnets d’artistes combattants

The sketchbooks of combatant artists have been the objects of editions, exhibitions, sales, as well as digitization and virtual exhibitions in the context of the educational projects of the centenary of the Great War. This article studies the philological and heritage issues of the war sketchbook, e...

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Main Author: Marco Falceri
Format: Article
Language:English
Published: Université de Bourgogne 2021-07-01
Series:Interfaces
Subjects:
Online Access:https://journals.openedition.org/interfaces/2528
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author Marco Falceri
author_facet Marco Falceri
author_sort Marco Falceri
collection DOAJ
description The sketchbooks of combatant artists have been the objects of editions, exhibitions, sales, as well as digitization and virtual exhibitions in the context of the educational projects of the centenary of the Great War. This article studies the philological and heritage issues of the war sketchbook, exploring a variety of contexts and fields: archives and collections, exhibitions, book editions and the illustrated press. Studying the format of the combatant artists’ sketchbooks implies the comparison between iconographic genres and themes, artistic and literary practices, biographical profiles and trajectories. As those sketchbooks contain graphic and chromatic notations, texts and photos, documentary research and montage have to deal with the heterogeneity and the hybridity of their formats, while the practices involved range from artistic experimentation to editorial projects.
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spelling doaj.art-17e635419db548d8b39685e2ee0a8ef12024-02-14T08:36:28ZengUniversité de BourgogneInterfaces2647-67542021-07-014510.4000/interfaces.2528Voir et dessiner la Grande Guerre : carnets d’artistes combattantsMarco FalceriThe sketchbooks of combatant artists have been the objects of editions, exhibitions, sales, as well as digitization and virtual exhibitions in the context of the educational projects of the centenary of the Great War. This article studies the philological and heritage issues of the war sketchbook, exploring a variety of contexts and fields: archives and collections, exhibitions, book editions and the illustrated press. Studying the format of the combatant artists’ sketchbooks implies the comparison between iconographic genres and themes, artistic and literary practices, biographical profiles and trajectories. As those sketchbooks contain graphic and chromatic notations, texts and photos, documentary research and montage have to deal with the heterogeneity and the hybridity of their formats, while the practices involved range from artistic experimentation to editorial projects.https://journals.openedition.org/interfaces/2528visual studiesalbumcombatant artistwar sketchbookart editionvirtual exhibition
spellingShingle Marco Falceri
Voir et dessiner la Grande Guerre : carnets d’artistes combattants
Interfaces
visual studies
album
combatant artist
war sketchbook
art edition
virtual exhibition
title Voir et dessiner la Grande Guerre : carnets d’artistes combattants
title_full Voir et dessiner la Grande Guerre : carnets d’artistes combattants
title_fullStr Voir et dessiner la Grande Guerre : carnets d’artistes combattants
title_full_unstemmed Voir et dessiner la Grande Guerre : carnets d’artistes combattants
title_short Voir et dessiner la Grande Guerre : carnets d’artistes combattants
title_sort voir et dessiner la grande guerre carnets d artistes combattants
topic visual studies
album
combatant artist
war sketchbook
art edition
virtual exhibition
url https://journals.openedition.org/interfaces/2528
work_keys_str_mv AT marcofalceri voiretdessinerlagrandeguerrecarnetsdartistescombattants