Eloge de l’ombre : les paradoxes du corps spectral dans le théâtre anglais contemporain
This article explores some contemporary plays to delineate a new phenomenology of the stage that reconfigures the modalities of seeing and of not seeing in the theatre. Shade, shadows and obliteration might well come out as the unexpected guarantees of the ontos. This paradox is seminal in the drama...
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| Format: | Article |
| Language: | English |
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Université Toulouse - Jean Jaurès
2013-06-01
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| Series: | Miranda: Revue Pluridisciplinaire du Monde Anglophone |
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| Online Access: | http://journals.openedition.org/miranda/3354 |
| Summary: | This article explores some contemporary plays to delineate a new phenomenology of the stage that reconfigures the modalities of seeing and of not seeing in the theatre. Shade, shadows and obliteration might well come out as the unexpected guarantees of the ontos. This paradox is seminal in the dramaturgy of such English post-Beckettian spectralizers as Sarah Kane and Martin Crimp. |
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| ISSN: | 2108-6559 |