Eloge de l’ombre : les paradoxes du corps spectral dans le théâtre anglais contemporain
This article explores some contemporary plays to delineate a new phenomenology of the stage that reconfigures the modalities of seeing and of not seeing in the theatre. Shade, shadows and obliteration might well come out as the unexpected guarantees of the ontos. This paradox is seminal in the drama...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Université Toulouse - Jean Jaurès
2013-06-01
|
| Series: | Miranda: Revue Pluridisciplinaire du Monde Anglophone |
| Subjects: | |
| Online Access: | http://journals.openedition.org/miranda/3354 |
| _version_ | 1819086420488224768 |
|---|---|
| author | Elisabeth Angel-Perez |
| author_facet | Elisabeth Angel-Perez |
| author_sort | Elisabeth Angel-Perez |
| collection | DOAJ |
| description | This article explores some contemporary plays to delineate a new phenomenology of the stage that reconfigures the modalities of seeing and of not seeing in the theatre. Shade, shadows and obliteration might well come out as the unexpected guarantees of the ontos. This paradox is seminal in the dramaturgy of such English post-Beckettian spectralizers as Sarah Kane and Martin Crimp. |
| first_indexed | 2024-12-21T21:19:58Z |
| format | Article |
| id | doaj.art-17eaf026e5744e42868d9c4e344da199 |
| institution | Directory Open Access Journal |
| issn | 2108-6559 |
| language | English |
| last_indexed | 2024-12-21T21:19:58Z |
| publishDate | 2013-06-01 |
| publisher | Université Toulouse - Jean Jaurès |
| record_format | Article |
| series | Miranda: Revue Pluridisciplinaire du Monde Anglophone |
| spelling | doaj.art-17eaf026e5744e42868d9c4e344da1992022-12-21T18:49:55ZengUniversité Toulouse - Jean JaurèsMiranda: Revue Pluridisciplinaire du Monde Anglophone2108-65592013-06-01810.4000/miranda.3354Eloge de l’ombre : les paradoxes du corps spectral dans le théâtre anglais contemporainElisabeth Angel-PerezThis article explores some contemporary plays to delineate a new phenomenology of the stage that reconfigures the modalities of seeing and of not seeing in the theatre. Shade, shadows and obliteration might well come out as the unexpected guarantees of the ontos. This paradox is seminal in the dramaturgy of such English post-Beckettian spectralizers as Sarah Kane and Martin Crimp.http://journals.openedition.org/miranda/3354shadowobliterationCrimpKanetheatreLevinas |
| spellingShingle | Elisabeth Angel-Perez Eloge de l’ombre : les paradoxes du corps spectral dans le théâtre anglais contemporain Miranda: Revue Pluridisciplinaire du Monde Anglophone shadow obliteration Crimp Kane theatre Levinas |
| title | Eloge de l’ombre : les paradoxes du corps spectral dans le théâtre anglais contemporain |
| title_full | Eloge de l’ombre : les paradoxes du corps spectral dans le théâtre anglais contemporain |
| title_fullStr | Eloge de l’ombre : les paradoxes du corps spectral dans le théâtre anglais contemporain |
| title_full_unstemmed | Eloge de l’ombre : les paradoxes du corps spectral dans le théâtre anglais contemporain |
| title_short | Eloge de l’ombre : les paradoxes du corps spectral dans le théâtre anglais contemporain |
| title_sort | eloge de l ombre les paradoxes du corps spectral dans le theatre anglais contemporain |
| topic | shadow obliteration Crimp Kane theatre Levinas |
| url | http://journals.openedition.org/miranda/3354 |
| work_keys_str_mv | AT elisabethangelperez elogedelombrelesparadoxesducorpsspectraldansletheatreanglaiscontemporain |