Ut commutando donemus : An Approach to Female Artistic Patronage in Northeast Iberia (1000-1100)

Centring on the specific context of northeastern Iberia in the eleventh century, this article offers a concept of patronage as it was understood by the women who performed it. While medievalists are accustomed to reconstructing the circumstances in which an artwork was born, when studying artistic p...

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Main Author: Verónica Carla Abenza Soria
Format: Article
Language:fra
Published: Centre d'Études Médievales Auxerre
Series:Bulletin du Centre d’Études Médiévales d’Auxerre
Subjects:
Online Access:https://journals.openedition.org/cem/19020
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author Verónica Carla Abenza Soria
author_facet Verónica Carla Abenza Soria
author_sort Verónica Carla Abenza Soria
collection DOAJ
description Centring on the specific context of northeastern Iberia in the eleventh century, this article offers a concept of patronage as it was understood by the women who performed it. While medievalists are accustomed to reconstructing the circumstances in which an artwork was born, when studying artistic patronage there is still a general tendency to avoid consideration of the social, economic, and legal differences between men and women in the Middle Ages. By focusing on a representative set of women from the period, one of the main goals of this article is to show that, beyond devotional reasons, artistic patronage helped medieval women overcame some of these social constraints and allowed them to exercise different degrees of power and authority.
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spelling doaj.art-17f0ab5dd7de4e24b1463994c09d3dc22024-02-14T13:54:44ZfraCentre d'Études Médievales AuxerreBulletin du Centre d’Études Médiévales d’Auxerre1623-57701954-309326110.4000/cem.19020Ut commutando donemus : An Approach to Female Artistic Patronage in Northeast Iberia (1000-1100)Verónica Carla Abenza SoriaCentring on the specific context of northeastern Iberia in the eleventh century, this article offers a concept of patronage as it was understood by the women who performed it. While medievalists are accustomed to reconstructing the circumstances in which an artwork was born, when studying artistic patronage there is still a general tendency to avoid consideration of the social, economic, and legal differences between men and women in the Middle Ages. By focusing on a representative set of women from the period, one of the main goals of this article is to show that, beyond devotional reasons, artistic patronage helped medieval women overcame some of these social constraints and allowed them to exercise different degrees of power and authority.https://journals.openedition.org/cem/19020female artistic patronageauthorshipgendergift-givinginscriptionsdonor portraits
spellingShingle Verónica Carla Abenza Soria
Ut commutando donemus : An Approach to Female Artistic Patronage in Northeast Iberia (1000-1100)
Bulletin du Centre d’Études Médiévales d’Auxerre
female artistic patronage
authorship
gender
gift-giving
inscriptions
donor portraits
title Ut commutando donemus : An Approach to Female Artistic Patronage in Northeast Iberia (1000-1100)
title_full Ut commutando donemus : An Approach to Female Artistic Patronage in Northeast Iberia (1000-1100)
title_fullStr Ut commutando donemus : An Approach to Female Artistic Patronage in Northeast Iberia (1000-1100)
title_full_unstemmed Ut commutando donemus : An Approach to Female Artistic Patronage in Northeast Iberia (1000-1100)
title_short Ut commutando donemus : An Approach to Female Artistic Patronage in Northeast Iberia (1000-1100)
title_sort ut commutando donemus an approach to female artistic patronage in northeast iberia 1000 1100
topic female artistic patronage
authorship
gender
gift-giving
inscriptions
donor portraits
url https://journals.openedition.org/cem/19020
work_keys_str_mv AT veronicacarlaabenzasoria utcommutandodonemusanapproachtofemaleartisticpatronageinnortheastiberia10001100