Sound as Environment in Tom Konyves’ Urban Pastorals
The poetry of Canadian poet Tom Konyves offers sketches of urban pastoral in which sounds play a central part. They are constitutive of the environments construed by the poems as well as of the poems as environmental forms. Resting on Susanna Lidström and Greg Garrard’s conception of “environmental...
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Format: | Article |
Language: | English |
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Laboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA)
2017-06-01
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Series: | E-REA |
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Online Access: | https://journals.openedition.org/erea/5717 |
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author | Bénédicte CHORIER-FRYD |
author_facet | Bénédicte CHORIER-FRYD |
author_sort | Bénédicte CHORIER-FRYD |
collection | DOAJ |
description | The poetry of Canadian poet Tom Konyves offers sketches of urban pastoral in which sounds play a central part. They are constitutive of the environments construed by the poems as well as of the poems as environmental forms. Resting on Susanna Lidström and Greg Garrard’s conception of “environmental thinking” in the poetic process, this paper looks at two poems (a long textual piece and a “videopoem” – a hybrid poetic form bringing together text, image and sound to produce a poetic experience), and examines the ways in which sounds contribute to create the complex environment of the poem, poised between presence and dissolution. |
first_indexed | 2025-02-17T04:42:43Z |
format | Article |
id | doaj.art-182d28812cde45098e420b93fd8dc611 |
institution | Directory Open Access Journal |
issn | 1638-1718 |
language | English |
last_indexed | 2025-02-17T04:42:43Z |
publishDate | 2017-06-01 |
publisher | Laboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA) |
record_format | Article |
series | E-REA |
spelling | doaj.art-182d28812cde45098e420b93fd8dc6112025-01-09T12:54:05ZengLaboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA)E-REA1638-17182017-06-0114210.4000/erea.5717Sound as Environment in Tom Konyves’ Urban PastoralsBénédicte CHORIER-FRYDThe poetry of Canadian poet Tom Konyves offers sketches of urban pastoral in which sounds play a central part. They are constitutive of the environments construed by the poems as well as of the poems as environmental forms. Resting on Susanna Lidström and Greg Garrard’s conception of “environmental thinking” in the poetic process, this paper looks at two poems (a long textual piece and a “videopoem” – a hybrid poetic form bringing together text, image and sound to produce a poetic experience), and examines the ways in which sounds contribute to create the complex environment of the poem, poised between presence and dissolution.https://journals.openedition.org/erea/5717soundTom Konyvesvideopoemenvironmental thinkingestrangementexperience |
spellingShingle | Bénédicte CHORIER-FRYD Sound as Environment in Tom Konyves’ Urban Pastorals E-REA sound Tom Konyves videopoem environmental thinking estrangement experience |
title | Sound as Environment in Tom Konyves’ Urban Pastorals |
title_full | Sound as Environment in Tom Konyves’ Urban Pastorals |
title_fullStr | Sound as Environment in Tom Konyves’ Urban Pastorals |
title_full_unstemmed | Sound as Environment in Tom Konyves’ Urban Pastorals |
title_short | Sound as Environment in Tom Konyves’ Urban Pastorals |
title_sort | sound as environment in tom konyves urban pastorals |
topic | sound Tom Konyves videopoem environmental thinking estrangement experience |
url | https://journals.openedition.org/erea/5717 |
work_keys_str_mv | AT benedictechorierfryd soundasenvironmentintomkonyvesurbanpastorals |