Changing Use of Seventh Chords: A Replication of Mauch et al. (2015)
Mauch, MacCallum, Levy, and Leroi (2015) carried out a large-scale study of changes in American popular music between 1960 and 2010. Using signal processing methods, they found evidence suggesting a decreasing use of the dominant seventh chord and increasing use of the minor-minor seventh chord. Whi...
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Format: | Article |
Language: | English |
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The Ohio State University Libraries
2016-07-01
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Series: | Empirical Musicology Review |
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Online Access: | https://doi.org/10.18061/emr.v11i1.4949 |
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author | Hubert Léveillé Gauvin |
author_facet | Hubert Léveillé Gauvin |
author_sort | Hubert Léveillé Gauvin |
collection | DOAJ |
description | Mauch, MacCallum, Levy, and Leroi (2015) carried out a large-scale study of changes in American popular music between 1960 and 2010. Using signal processing methods, they found evidence suggesting a decreasing use of the dominant seventh chord and increasing use of the minor-minor seventh chord. While signal analysis methods have improved substantially in recent years, the accuracy of signal-based analysis remains imperfect. Using a contrasting method and independent musical sample, this paper reports converging evidence replicating these findings. |
first_indexed | 2024-12-22T07:34:25Z |
format | Article |
id | doaj.art-18ba85de91d049fdb61e5417b92bf205 |
institution | Directory Open Access Journal |
issn | 1559-5749 |
language | English |
last_indexed | 2024-12-22T07:34:25Z |
publishDate | 2016-07-01 |
publisher | The Ohio State University Libraries |
record_format | Article |
series | Empirical Musicology Review |
spelling | doaj.art-18ba85de91d049fdb61e5417b92bf2052022-12-21T18:33:56ZengThe Ohio State University LibrariesEmpirical Musicology Review1559-57492016-07-0111110310710.18061/emr.v11i1.4949Changing Use of Seventh Chords: A Replication of Mauch et al. (2015)Hubert Léveillé Gauvin0School of Music, Ohio State UniversityMauch, MacCallum, Levy, and Leroi (2015) carried out a large-scale study of changes in American popular music between 1960 and 2010. Using signal processing methods, they found evidence suggesting a decreasing use of the dominant seventh chord and increasing use of the minor-minor seventh chord. While signal analysis methods have improved substantially in recent years, the accuracy of signal-based analysis remains imperfect. Using a contrasting method and independent musical sample, this paper reports converging evidence replicating these findings.https://doi.org/10.18061/emr.v11i1.4949popular musicharmonyBillboard Hot 100corpus study |
spellingShingle | Hubert Léveillé Gauvin Changing Use of Seventh Chords: A Replication of Mauch et al. (2015) Empirical Musicology Review popular music harmony Billboard Hot 100 corpus study |
title | Changing Use of Seventh Chords: A Replication of Mauch et al. (2015) |
title_full | Changing Use of Seventh Chords: A Replication of Mauch et al. (2015) |
title_fullStr | Changing Use of Seventh Chords: A Replication of Mauch et al. (2015) |
title_full_unstemmed | Changing Use of Seventh Chords: A Replication of Mauch et al. (2015) |
title_short | Changing Use of Seventh Chords: A Replication of Mauch et al. (2015) |
title_sort | changing use of seventh chords a replication of mauch et al 2015 |
topic | popular music harmony Billboard Hot 100 corpus study |
url | https://doi.org/10.18061/emr.v11i1.4949 |
work_keys_str_mv | AT hubertleveillegauvin changinguseofseventhchordsareplicationofmauchetal2015 |