Correggio, Anselmi e Rondani
Antonius Laetus, Hirundo: these are the latinized signatures of Antonio Allegri called Correggio and his assistant from Parma Francesco Maria Rondani. Michelangelo Anselmi instead, signed one of his altarpiece with a cabalistic writing method. That was one of the encrypted alphabet used by Cornel...
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| Format: | Article |
| Language: | English |
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Fondazione Università Ca’ Foscari
2017-12-01
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| Series: | Venezia Arti |
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| Online Access: | http://doi.org/10.14277/2385-2720/VA-26-17-9 |
| _version_ | 1797646026479239168 |
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| author | Fadda, Elisabetta |
| author_facet | Fadda, Elisabetta |
| author_sort | Fadda, Elisabetta |
| collection | DOAJ |
| description |
Antonius Laetus, Hirundo: these are the latinized signatures of Antonio Allegri called Correggio and his assistant from Parma Francesco Maria Rondani. Michelangelo Anselmi instead, signed one of his altarpiece with a cabalistic writing method. That was one of the encrypted alphabet used by Cornelio Agrippa. According to previous studies, often the artist name matches with his portrait. On the contrary this essay analyzes signatures, words and their variant spelling as a signifiant, as images translating a message, in the same way as in a calligram or a rebus.
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| first_indexed | 2024-03-11T14:56:26Z |
| format | Article |
| id | doaj.art-19151c86286f44c7a82c257cd6319375 |
| institution | Directory Open Access Journal |
| issn | 2385-2720 |
| language | English |
| last_indexed | 2024-03-11T14:56:26Z |
| publishDate | 2017-12-01 |
| publisher | Fondazione Università Ca’ Foscari |
| record_format | Article |
| series | Venezia Arti |
| spelling | doaj.art-19151c86286f44c7a82c257cd63193752023-10-30T08:20:52ZengFondazione Università Ca’ FoscariVenezia Arti2385-27202017-12-0126110.14277/2385-2720/VA-26-17-9journal_article_1306Correggio, Anselmi e RondaniFadda, Elisabetta0Università degli Studi di Parma, Italia Antonius Laetus, Hirundo: these are the latinized signatures of Antonio Allegri called Correggio and his assistant from Parma Francesco Maria Rondani. Michelangelo Anselmi instead, signed one of his altarpiece with a cabalistic writing method. That was one of the encrypted alphabet used by Cornelio Agrippa. According to previous studies, often the artist name matches with his portrait. On the contrary this essay analyzes signatures, words and their variant spelling as a signifiant, as images translating a message, in the same way as in a calligram or a rebus. http://doi.org/10.14277/2385-2720/VA-26-17-9Parma. Rebus |
| spellingShingle | Fadda, Elisabetta Correggio, Anselmi e Rondani Venezia Arti Parma. Rebus |
| title | Correggio, Anselmi e Rondani |
| title_full | Correggio, Anselmi e Rondani |
| title_fullStr | Correggio, Anselmi e Rondani |
| title_full_unstemmed | Correggio, Anselmi e Rondani |
| title_short | Correggio, Anselmi e Rondani |
| title_sort | correggio anselmi e rondani |
| topic | Parma. Rebus |
| url | http://doi.org/10.14277/2385-2720/VA-26-17-9 |
| work_keys_str_mv | AT faddaelisabetta correggioanselmierondani |