Topologias da Carne: creative processes in contemporary dance or how to create a Body without Organs for oneself

This work was developed in a close link to Topologias da Carne [Topologies of the Meat], a creative process in contemporary dance. From the incorporation of the concepts Body without Organs (BwO), territory, body-meat, as well as in relation to Laban's proposals for movement, the aim is to prod...

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Main Authors: Juliana Soares Bom-Tempo, Aline Pinheiro Salmin
Format: Article
Language:English
Published: Universidade Federal do Rio Grande do Sul 2018-09-01
Series:Revista Brasileira de Estudos da Presença
Subjects:
Online Access:http://ref.scielo.org/4qzqg8
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author Juliana Soares Bom-Tempo
Aline Pinheiro Salmin
author_facet Juliana Soares Bom-Tempo
Aline Pinheiro Salmin
author_sort Juliana Soares Bom-Tempo
collection DOAJ
description This work was developed in a close link to Topologias da Carne [Topologies of the Meat], a creative process in contemporary dance. From the incorporation of the concepts Body without Organs (BwO), territory, body-meat, as well as in relation to Laban's proposals for movement, the aim is to produce a transduction of the incorporeal from the concepts into micro vibrations of a dancing body. The methodology covers the exhaustive study of the concepts, in an intrinsic relation to practical experiments in dance, which can open the corporeal organizations to the experimentation of an intensive body.
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spelling doaj.art-1929d2fc1e8b4fca8a8cfdbab68518682022-12-21T19:01:33ZengUniversidade Federal do Rio Grande do SulRevista Brasileira de Estudos da Presença2237-26602018-09-01080359261410.1590/2237-266073137Topologias da Carne: creative processes in contemporary dance or how to create a Body without Organs for oneselfJuliana Soares Bom-Tempo0Aline Pinheiro Salmin1Universidade Federal de Uberlândia - UFU, Uberlândia/MG, BrazilUniversidade Federal de Uberlândia - UFU, Uberlândia/MG, BrazilThis work was developed in a close link to Topologias da Carne [Topologies of the Meat], a creative process in contemporary dance. From the incorporation of the concepts Body without Organs (BwO), territory, body-meat, as well as in relation to Laban's proposals for movement, the aim is to produce a transduction of the incorporeal from the concepts into micro vibrations of a dancing body. The methodology covers the exhaustive study of the concepts, in an intrinsic relation to practical experiments in dance, which can open the corporeal organizations to the experimentation of an intensive body.http://ref.scielo.org/4qzqg8BodyIntensiveDancePhilosophy
spellingShingle Juliana Soares Bom-Tempo
Aline Pinheiro Salmin
Topologias da Carne: creative processes in contemporary dance or how to create a Body without Organs for oneself
Revista Brasileira de Estudos da Presença
Body
Intensive
Dance
Philosophy
title Topologias da Carne: creative processes in contemporary dance or how to create a Body without Organs for oneself
title_full Topologias da Carne: creative processes in contemporary dance or how to create a Body without Organs for oneself
title_fullStr Topologias da Carne: creative processes in contemporary dance or how to create a Body without Organs for oneself
title_full_unstemmed Topologias da Carne: creative processes in contemporary dance or how to create a Body without Organs for oneself
title_short Topologias da Carne: creative processes in contemporary dance or how to create a Body without Organs for oneself
title_sort topologias da carne creative processes in contemporary dance or how to create a body without organs for oneself
topic Body
Intensive
Dance
Philosophy
url http://ref.scielo.org/4qzqg8
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