La Rinascita. L’opera di Bruno Morassutti a San Martino di Castrozza nell’alveo del suo tempo
"The twin houses of San Martino di Castrozza constitute the beginning of an activity that led Bruno Morassutti to engage with the Alpine theme throughout his activity: at the beginning there were the two small, twin houses (1954-1957), then he moved on to a large family holiday home (1957-19...
| Main Authors: | , , |
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| Format: | Article |
| Language: | deu |
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Bononia University Press
2020-10-01
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| Series: | ArchAlp |
| Subjects: | |
| Online Access: | https://archalp.it/la-rinascita-lopera-di-bruno-morassutti-a-san-martino-di-castrozza-nellalveo-del-suo-tempo/ |
| _version_ | 1818299356773613568 |
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| author | Alessandro Colombo Roberto De Biasi Francesco Scullica |
| author_facet | Alessandro Colombo Roberto De Biasi Francesco Scullica |
| author_sort | Alessandro Colombo |
| collection | DOAJ |
| description | "The twin houses of San Martino di Castrozza constitute the beginning of an activity
that led Bruno Morassutti to engage with the Alpine theme throughout his activity:
at the beginning there were the two small, twin houses (1954-1957), then he moved
on to a large family holiday home (1957-1958), both with Angelo Mangiarotti, and
then he experimented with the “Fontanelle” in the 1960s. The traditional stylistic
features in the houses of San Martino find a balance, a grace and an elegance that,
over sixty years later, do not cease to convince. The restoration of San Martino is
measured in a balanced relationship between empty and full, in continuity with the
elements that characterize the alpine architecture and the wise use of the materials
offered by the territory: wood and stone. The two buildings, identical but individually
distinct, thanks to two simple movements of flanking and staggering, are characterized
by a solid stone masonry that draws two L-shaped walls. The masonry, strongly
anchored to the ground, is counterbalanced towards the valley by a large window
in wood and glass that spreads over two levels and guarantees lighting and direct
views of the surrounding landscape from the living area. The link with the rural architecture of the area is well summarized, in addition to the materials, by the typologically relevant elements including the traditional symmetrical pitched roof with
the structural warp in fir trunks. The roof, detached from the perimeter walls, is supported by wooden columns and partitions, a refined compositional choice that generates an unusual glass surface." |
| first_indexed | 2024-12-13T04:49:56Z |
| format | Article |
| id | doaj.art-19389e94b3c04ba4ab8d970c8130b206 |
| institution | Directory Open Access Journal |
| issn | 2611-8653 2039-1730 |
| language | deu |
| last_indexed | 2024-12-13T04:49:56Z |
| publishDate | 2020-10-01 |
| publisher | Bononia University Press |
| record_format | Article |
| series | ArchAlp |
| spelling | doaj.art-19389e94b3c04ba4ab8d970c8130b2062022-12-21T23:59:02ZdeuBononia University PressArchAlp2611-86532039-17302020-10-012019310.30682/aa1903iLa Rinascita. L’opera di Bruno Morassutti a San Martino di Castrozza nell’alveo del suo tempoAlessandro ColomboRoberto De BiasiFrancesco Scullica"The twin houses of San Martino di Castrozza constitute the beginning of an activity that led Bruno Morassutti to engage with the Alpine theme throughout his activity: at the beginning there were the two small, twin houses (1954-1957), then he moved on to a large family holiday home (1957-1958), both with Angelo Mangiarotti, and then he experimented with the “Fontanelle” in the 1960s. The traditional stylistic features in the houses of San Martino find a balance, a grace and an elegance that, over sixty years later, do not cease to convince. The restoration of San Martino is measured in a balanced relationship between empty and full, in continuity with the elements that characterize the alpine architecture and the wise use of the materials offered by the territory: wood and stone. The two buildings, identical but individually distinct, thanks to two simple movements of flanking and staggering, are characterized by a solid stone masonry that draws two L-shaped walls. The masonry, strongly anchored to the ground, is counterbalanced towards the valley by a large window in wood and glass that spreads over two levels and guarantees lighting and direct views of the surrounding landscape from the living area. The link with the rural architecture of the area is well summarized, in addition to the materials, by the typologically relevant elements including the traditional symmetrical pitched roof with the structural warp in fir trunks. The roof, detached from the perimeter walls, is supported by wooden columns and partitions, a refined compositional choice that generates an unusual glass surface."https://archalp.it/la-rinascita-lopera-di-bruno-morassutti-a-san-martino-di-castrozza-nellalveo-del-suo-tempo/"modernismorganicismalpine architecturetradition |
| spellingShingle | Alessandro Colombo Roberto De Biasi Francesco Scullica La Rinascita. L’opera di Bruno Morassutti a San Martino di Castrozza nell’alveo del suo tempo ArchAlp "modernism organicism alpine architecture tradition |
| title | La Rinascita. L’opera di Bruno Morassutti a San Martino di Castrozza nell’alveo del suo tempo |
| title_full | La Rinascita. L’opera di Bruno Morassutti a San Martino di Castrozza nell’alveo del suo tempo |
| title_fullStr | La Rinascita. L’opera di Bruno Morassutti a San Martino di Castrozza nell’alveo del suo tempo |
| title_full_unstemmed | La Rinascita. L’opera di Bruno Morassutti a San Martino di Castrozza nell’alveo del suo tempo |
| title_short | La Rinascita. L’opera di Bruno Morassutti a San Martino di Castrozza nell’alveo del suo tempo |
| title_sort | la rinascita l opera di bruno morassutti a san martino di castrozza nell alveo del suo tempo |
| topic | "modernism organicism alpine architecture tradition |
| url | https://archalp.it/la-rinascita-lopera-di-bruno-morassutti-a-san-martino-di-castrozza-nellalveo-del-suo-tempo/ |
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